 |
 |
 |
 |
Voice of the Xtabay
(CD, 1996)
Primary Artist: Yma Sumac

|
 |
 |
|
|
|
 |
 |
LIST PRICE $11.98 Save 58%
|
 |
 |
|
|
 |
Format: CD Mar 1996 Record Label: The Right Stuff Recording Type: Studio UPC: 077779121724 |
 |
|
|
|
 |
 |
 |
In general items shipped via Media Mail should arrive in 2-9 days (excluding Alaska and Hawaii) from the time of shipping * ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
|
|
|
 |
 |
|
 |
 |
Details

Track Listing 1. Taita Inty :: Virgin Of The Sun God 2. Ataypura :: High Andes 3. Accla Taqui :: Chant Of The Chosen Maidens 4. Tumpa :: Earthquake 5. Choladas :: Dance Of The Moon Festival 6. Wayra :: Dance Of The Winds 7. Monos :: Monkeys 8. Xtabay :: Lure Of The Unknown Love 9. K'Arawi :: Planting Song 10. Cumbe-Maita :: Calls Of The Andes 11. Wak'ai :: Cry 12. Incacho :: Royal Anthem 13. Chuncho :: The Forest Creatures 14. Llulla Mak'ta :: Andean Don Juan 15. Malaya! :: My Destiny 16. Ripui :: Farewell
Album Notes 2 LPS on 1 CD: VOICE OF THE XTABAY (1950)/INCA TAQUL. Personnel includes: Yma Sumac (vocals); Les Baxter, Moises Vivanco (arranger, conductor). Exotica began here in this historic 1950 meeting between the Peruvian "princess" Yma Sumac and Hollywood arranger Les Baxter. Neither Inca royalty nor a Bronx girl named Amy Camus as counter-legend had it, Sumac was raised an upper middle class Peruvian, but gifted with an uncanny multi-octave range. With such a powerful instrument at his disposable, the imaginatively resourceful Baxter proceeded to patch together musical bits and pieces from around the globe--gamelon orchestra, all manner of modal scales, ethnic percussion, impressionistic strings--into a fantasy concoction that has stayed surprisingly fresh after a half a century. There probably isn't anything here that wasn't first heard in Rimsky-Korsakov or Debussy, not to mention Max Steiner whose path-finding score for KING KONG remains the talisman for pop musical journeys to the unknown. Still, Baxter is a skillful orchestrator, especially of strings, and Sumac herself never falters in her tricky wordless improvisations. It was super kitschy stuff at the time and remains so, but retains a certain musical integrity, even timelessness, much like the stone god that hovers scowling above our ersatz princess on the famous album cover.
Industry Reviews 3 Stars - Good - ...fascinating from first to last... Q (10/01/1995)
|
|
|
|
Similar Items on eBay

|
|