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Home > Music Save big now on our top 200 bestselling music albums

Voice of the Xtabay
(CD, 1996)

Primary Artist: Yma Sumac

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$4.94

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$11.98
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Format: CD
Mar 1996
Record Label: The Right Stuff
Recording Type: Studio
UPC: 077779121724
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Details


Track Listing
1. Taita Inty :: Virgin Of The Sun God
2. Ataypura :: High Andes
3. Accla Taqui :: Chant Of The Chosen Maidens
4. Tumpa :: Earthquake
5. Choladas :: Dance Of The Moon Festival
6. Wayra :: Dance Of The Winds
7. Monos :: Monkeys
8. Xtabay :: Lure Of The Unknown Love
9. K'Arawi :: Planting Song
10. Cumbe-Maita :: Calls Of The Andes
11. Wak'ai :: Cry
12. Incacho :: Royal Anthem
13. Chuncho :: The Forest Creatures
14. Llulla Mak'ta :: Andean Don Juan
15. Malaya! :: My Destiny
16. Ripui :: Farewell

Details
Contributing artists:Les Baxter
Producer:Tom Cartwright (Reissue)
Distributor:EMI Music Distribution
Recording Type:Studio
Recording Mode:Mixed
SPAR Code:n/a

Album Notes
2 LPS on 1 CD: VOICE OF THE XTABAY (1950)/INCA TAQUL.
Personnel includes: Yma Sumac (vocals); Les Baxter, Moises Vivanco (arranger, conductor).
Exotica began here in this historic 1950 meeting between the Peruvian "princess" Yma Sumac and Hollywood arranger Les Baxter. Neither Inca royalty nor a Bronx girl named Amy Camus as counter-legend had it, Sumac was raised an upper middle class Peruvian, but gifted with an uncanny multi-octave range. With such a powerful instrument at his disposable, the imaginatively resourceful Baxter proceeded to patch together musical bits and pieces from around the globe--gamelon orchestra, all manner of modal scales, ethnic percussion, impressionistic strings--into a fantasy concoction that has stayed surprisingly fresh after a half a century.
There probably isn't anything here that wasn't first heard in Rimsky-Korsakov or Debussy, not to mention Max Steiner whose path-finding score for KING KONG remains the talisman for pop musical journeys to the unknown. Still, Baxter is a skillful orchestrator, especially of strings, and Sumac herself never falters in her tricky wordless improvisations. It was super kitschy stuff at the time and remains so, but retains a certain musical integrity, even timelessness, much like the stone god that hovers scowling above our ersatz princess on the famous album cover.

Industry Reviews
3 Stars - Good - ...fascinating from first to last...
Q (10/01/1995)


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