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Format: Hardcover
ISBN-10: 0375401601
ISBN-13: 9780375401602
Mar 1999
Publisher: Ballantine Books
292 pages
Language: English |
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Synopsis
A young man whose family is slaughtered by demons swears revenge, only to find himself turned into a vampire by the very monster responsible for killing his loved ones.
| Size | | Length: | 292 pages | | Height: | 8.5 in | | Width: | 5.3 in | | Thickness: | 1.2 in | | Weight: | 14.4 oz |
Publisher's Notes
First Line: ""When I was a small boy I had a terrible dream. I dreamt that I held in my arms the severed heads of my younger brother and sister. They were quick still, and mute, with big fluttering eyes, and reddened cheeks, and so horrified was I that I could make no more of a sound than they could.<BR>The dream came true.""
Industry Reviews
In Rice's latest, Vittorio tells of his human life and the dramatic events that led him to join the ranks of the undead. He is 16, living the privileged life of the nobility in Renaissance Italy, when a host of vampires savagely attacks his family. His parents, brother, and sister are ruthlessly murdered, but Vittorio has caught the eye of the beautiful vampiress Ursula and is spared. Eventually, Vittorio has his revenge on the demons who have destroyed his loved ones, but he pays a terrible price part of which is that he must become a vampire himself. In addition to Rice's trademark sensuality, a strong current of Christian philosophy drives the plot. This is the second book after Pandora (LJ 3/1/98) in Rice's "New Tales of the Vampires" series, and it is told in the rhythmic, evocative prose of her best works. [Previewed in Prepub Alert, LJ 11/1/98.] Patricia Altner, Information Seekers, Bowie, MD
Fox
Blood and holy water both run thick through the streets of 15th-century Florence in Rice's 21st novel of the undead, the second in a series of New Tales that leave New Orleans's cemeteries behind. While there's not much plot to this lushly described story of how Vittorio di Riniari became a vampire, there's plenty of period detail about Italy's Golden Age. With the courtly arrogance of one who's to the manor born, Renaissance man Vittorio tells of his seduction into evil immortality. As the 16-year-old scion of a wealthy home, he rubs elbows with Cosimo de Medici and is attracted to the work of Fra Filippo Lippi, whose tormented paintings of angels mirror Vittorio's own heart. In the year 1450, he witnesses the massacre of his entire family by a band of demons. Fleeing from the primal scene, he follows the fiends in search of vengeance, and instead is overcome by the devastatingly beautiful "strega," the bare-shouldered Ursula. His desire for revenge and his desire for Ursula propel him in a dizzy descent to religion's darkest side, especially after Ursula's vampire attentions render him able to see and converse with angels. Though the narrative is presented as a tragic tale of doomed love, we know so little of the swooning, inarticulate Ursula that there's hardly any romance or suspense. And while Vittorio's particular road to hell is a new entry in Rice's repertoire of vampirification, much of the material is familiar: the rich, brash young man transformed against his will who agonizes over his new existence. Vittorio's painstaking narration of his biography takes so long to acquire momentum that when at one point he admits, "This chapter ought to be over," even diehard readers may be tempted to agree that it's time for a new vampire for a new age. Agent, Lynn Nesbit. (Mar.)FYI: Rice includes a bibliography of readings for greater appreciation of the time period.
Fox
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