Details
Movie Description
Plunging headfirst into history, director Terry Gilliam fearlessly brings the logic of children's fairy tales to bear as he navigates through myth and legend in a bizarre, ingenious retelling of THE WIZARD OF OZ. A boy and six good-natured little persons careen through time-twisting interactions with Napoleon, Robin Hood, and Agamemnon, among others, with a map the little people stole from their employer, the Supreme Being. But their intention is to rob their way through the past, which does not make their boss happy. Meanwhile, Evil is after the map in order to become the Supreme Being himself. The result is an extraordinarily visual extravaganza that overflows with Gilliam's ecstatic vision. The film is shot from a child's viewpoint, both through the character of Kevin and the placement of the camera. One of the morals of this thoroughly enjoyable, charming fantasy is that heroes aren't always all they're cracked up to be. Fun special effects and great supporting performances abound, including terrific turns by Ian Holm, John Cleese, Ralph Richardson, and especially David Warner as Evil.
Synopsis
In Terry Gilliam's brilliant epic voyage through time and space, a group of diminutive assistants to the Supreme Being steals a much-coveted map of the universe that reveals gaping flaws through which time travel is possible. When they invade the bedroom (through the wardrobe, in an homage to C.S. Lewis's THE CHRONICLES OF NARNIA) of a young boy named Kevin, he joins them for run-ins with Napoleon (Ian Holm), Robin Hood (Monty Python's John Cleese), Agamemnon (Sean Connery), an Ogre (Peter Vaughan), and Evil (David Warner). The darkly playful script is co-written by Gilliam's fellow former Pythonite Michael Palin, who also appears in the film.
Film Notes
DVD Features:
Region 1 Encoding
Keep Case
Theatrical Trailer
Talent Bios
Interactive Menus
Filmed at Lee International Studios and on location in England, Wales, and Morocco.
The mock game show that Kevin's parents watch is called YOUR MONEY OR YOUR LIFE, in which a woman's husband is suspended upside down into a vat of custard.
On his decision to use little people as the title characters, director Terry Gilliam said, "My silly side was just tickled with the visual outrageousness of it all--with how I would be able to contrast the bandits' height with other objects in the film. From the very beginning, one of my ideas for TIME BANDITS had been to shoot the entire film from the eye level of a child, However, I then had serious reservations as to whether the kid could carry a whole movie. So I and my co-writer--Michael Palin--came up with the idea of using a gang of really short people who were the same size as the boy...A lot of the film is shot with the camera about three feet off the ground or down in a hole."
Gilliam had filmed what he called a "memorable scene" involving two spider women trapping the time bandits in a web, but he couldn't use the scene because he ran out of money and couldn't film the scenes necessary to keep the spider-women scene within the continuity of the film.
The fantastic, imaginative work of the 17th-century Italian artist Piranesi, who put small, bizarre figures within large, complex structures in his etchings, served as the basis for the dark fortress.
George Harrison served as executive producer of the film and supplied the song "Dream Away," which plays over the closing credits.
Terry Gilliam's wife, Maggie Weston, did the hairdressing and makeup, with Elaine Carew.
Kenny Baker, who played Fidgit, also played R2D2 in the STAR WARS films.
John Young, who appears as Reginald, played the historian in MONTY PYTHON AND THE HOLY GRAIL.
While Mike Moran was responsible for the score, Trevor Jones is credited with the Greek dance music and arranging "Me and My Shadow."
British session man Ray Cooper did the percussion sequences.
The original theatrical trailer features a riotous voice-over parody of theatrical trailers.
On THE LATE SHOW WITH DAVID LETTERMAN in December 1995, Terry Gilliam talked about how the producer wanted to change the ending, but he refused to. He actually threatened to burn the negative and destroy the picture in order to preserve his ending. Also on the show, Letterman called TIME BANDITS "a great film...A very entertaining piece of work."
Gilliam cites Stanley Kubrick as one of his great idols, especially because Kubrick never settled for the obvious happy ending.
Estimated budget: $5 million.
In 1996 there was talk of making a sequel to the film, but that has never come to pass.
Michael Palin, playing Vincent in a number of time periods, talks about his "problem" to his sweetheart, Pansy, played by Shelley Duvall; in fact, not only does the viewer never find out exactly what the sexual problem is, but the writers never picked one out as well. It is deliberately left open to interpretation and confusion.
Industry Reviews
"...BANDITS is good on technical virtuosity..."
Variety - Pit. (07/22/1981)
"...A cheerfully irreverent lark -- part fairy tale, part science fiction, part comedy..."
New York Times - p.C8 - Vincent Canby (11/06/1981)
"...[With] the funniest Robin Hood ever..."
USA Today - Mike Clark (03/03/1995)
"...The movie's as perversely entertaining as it ever was..."
Total Film - George Kiritopoulos (08/01/2000)
4 stars out of 5 -- "[E]very bit as much a marauding sensual riot as it is a history-hopping conundrum."
Total Film - Total Film Staff (09/01/2006)
4 stars out of 4 -- "[A]n ingenious fantasy....[Gilliam's] most consistently entertaining..."
Uncut - Michael Bonner (10/01/2006)
|
|
)
)
)
)
)
)
)
All rights reserved.
