Details
Track Listing
1. Tiger
2. Where Have All the Cowboys Gone?
3. Throwing Stones
4. Carmen
5. Mississippi
6. Nietzsche's Eyes
7. Road to Dead
8. Me
9. Feelin' Love
10. Hush, Hush, Hush
11. I Don't Want to Wait
Album Notes
Personnel: Paula Cole (vocals, piano, Juno synthesizer, Wurlitzer electric piano, harmonium, beat box, toy xylophone, didjeridoo, clarinet); Peter Gabriel (vocals); Gerry Leonard (guitar); Greg Leisz (guitar, pedal & lap steel guitars); Wenyi Shih, Elizabeth Knowles (violin); Judith Insell (viola); Chase Morrison (cello); Seamus Egan (Uilleann pipes, whistle); Tony Levin (bass, Chapman stick); Jay Bellerose (drums, percussion); Kevin Killen.
Engineers: Roger Moutenot, Kevin Killen, Gerry Leonard.
Recorded at Bearsville Studio, Bearsville, New York; The Magic Shop, Paula's apartment and Shelter Island Studio, New York, New York.
All tracks have been digitally mastered using HDCD technology.
THIS FIRE was nominated for 1998 Grammy Awards for Album Of The Year and Best Pop Album. "Where Have All The Cowboys Gone" was nominated for 1998 Grammys for Record Of The Year, Song Of The Year, and Best Female Pop Vocal Performance. Paula Cole won the 1998 Grammy Award for Best New Artist.
Singer-songwriter Paula Cole bares her soul on her self-produced second album, displaying even more self-confidence than on HARBINGER. There is a sense of breaking with the past, especially on tracks like "Tiger," where Cole revisits the symbolic "Bethlehem" of her first album, singing, "I've left Bethlehem and I feel free/I've left the girl I was supposed to be." Lyrically, THIS FIRE is ferocious and unrestrained, and Cole's limber voice is suitably raw and versatile, veering from whispery-soft to edgy and emotional, delivering a fearlessly personal message.
When she sings, "You call me a bitch in heat/And I call you a liar" (on "Throwing Stones"), the word "liar" emerges as a furious scream. The next track, "Carmen," in contrast, is gently nostalgic. Cole's songs are emotionally complex and open to interpretation, but they are never deliberately vague, and her subtle wit saves THIS FIRE from self-absorption.
Industry Reviews
...A feisty poet with a soaring voice and a funky groove, Cole seems to be nipping at Tori Amos' heels.
Entertainment Weekly (12/13/1996)
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