Details
Track Listing
1. Kodachrome
2. Tenderness
3. Take Me to the Mardi Gras
4. Something So Right
5. One Man's Ceiling Is Another Man's Floor
6. American Tune
7. Was a Sunny Day
8. Learn How to Fall
9. St. Judy's Comet
10. Loves Me Like a Rock
11. Let Me Live in Your City - (work in progress)
12. Take Me to the Mardi Gras - (acoustic demo)
13. American Tune - (unfinished demo)
14. Loves Me Like a Rock - (acoustic demo)
Album Notes
Personnel: Paul Simon (vocals, guitar); Cornell Dupree, David Spinozza, Jerry Puckett, Pete Carr, Alexander Gafa (guitar); Jimmy Johnson (electric guitar); Onward Brass Band (horns); Paul Griffin , Bobby Scott (piano); Carson Whitsett (organ); Barry Beckett (keyboards, vibraphone); Bobby James (keyboards); Don Elliot (vibraphone); David Hood, Gordon Edwards, Richard Davis , Vernie Robbins, Bob Cranshaw (bass guitar); Grady Tate, Rick Marotta, Roger Hawkins, James Straud (drums); Airto Moreira (percussion); Maggie Roche, Reverend Claude Jeter, The Dixie Hummingbirds, Terre Roche (background vocals).
Recording information: Muscle Shoals Sound Studios, Alabama; Morgan Studios, North London, United Kingdom.
Building on the solid reputation of Simon & Garfunkel and the genre-exploring experiments of his solo debut, Paul Simon released this exceptional collection of songs in 1973. Simon seems to revel in his newfound solo freedom here, expanding his folk-rock palette to include gospel, reggae, R&B, and Dixieland, ratcheting up production values, and performing with great authority and confidence. That confidence is supported by some of the artist's finest and most focused compositions, including the jangly, exuberant "Kodachrome," a metaphor for the subjectivity of memory, the beautiful acoustic ballad "American Tune," and the gospel-derived "Love Me Like a Rock."
The Dixie Hummingbirds lend their exquisite harmonies to "Loves Me Like a Rock" [is it "love" or "loves"?] and "Tenderness," while Reverend Claude Jeter contributes a floating falsetto to "Take Me To the Mardi Gras" and the Muscle Shoals rhythms section provide occasional R&B muscle.
These guests add color and texture to Simon's singer-songwriter format, marking a cultural journey that would culminate in 1986's GRACELAND. In fact, THERE GOES RHYMIN' SIMON is probably the artist's most consistent and satisfying solo album after GRACELAND--a sizable claim given the songwriter's impressive achievements through the '70s and '80s.
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