Details
Track Listing
1. Space Guitar
2. Motor Head Baby - (with Chuck Higgins & His Mellotones)
3. Highway 60
4. Motorhead Baby
5. I Got Eyes
6. You Can't Take It With You
7. Hot Little Mama
8. Too Tired
9. Three Hours Past Midnight
10. Eagle Is Back, The
11. Cuttin' In
12. Broke and Lonely
13. That's the Chance You've Got to Take - (with Johnny Otis & His Orchestra)
14. Cold, Cold Heart - (with Johnny Otis & His Orchestra)
15. In the Evening - (with Johnny Otis & His Orchestra)
16. Gangster of Love - (with Johnny Otis & His Orchestra)
17. Those Lonely, Lonely Nights
18. Late Freight Twist, The - (with Floyd Dixon)
Album Notes
Personnel includes: Johnny "Guitar" Watson (vocals, guitar, piano); Harold Grant, Howard Roberts, Wayne Bennett, Rene Hall (guitar); Israel Baker, Harry Hyams, Sydney Sharp (strings); Edward Hale (alto saxophone); "Big" Jim Wynn (tenor & baritone saxophones); Milt Bradford, Sammy Parker, Billy Smith, Bill Gaither, Maxwell Davis, Chuck Higgins, James Benson, Chauney Lockie (tenor saxophone); Jewell Grant, Clyde Dunn (baritone saxophone); James Parr, Joe Bridgewater (trumpet); Devonia Williams, Willard McDaniel, Ernie Freeman, Floyd Dixon (piano); Ralph Hamilton, Mario Delagarde, Joe Ursey, Billy Hadnott (bass); Charles Predergraft, Eli Toney, Bill English, Robert "Snake" Sims, Jesse Sailes, Gaynel Hodge, Chuck Smith (drums).
Producers include: Ralph Bass, Jake Porter, Joe Bihari, Johnny Otis, Floyd Dixon.
Compilation producers: James Austin, Jimmie Vaughan.
Recorded between 1952 and 1963. Includes liner notes by David Ritzand and James Austin.
Digitally remastered by Bob Fisher.
THE VERY BEST OF JOHNNY "GUITAR" WATSON is a misleading title. This compilation covers only Watson's earliest recordings, but it shows what an explosive and diverse talent he was right from the start (and would continue to be throughout a career that went well into the 1990s). Though he started off as a pianist (Watson shows off his hot boogie woogie skills on a few tracks here), his true goal was to do some damage with the guitar.
"Space Guitar," for example, from 1954--which leads off this set--is a mind-blower. With its blistering fingering and psychedelic effects, the song sounds like nothing so much as Jimi Hendrix some 13 years before Hendrix burst onto the scene. But even when Watson takes it back home for some gutbucket blues, his style is pyrotechnic and distinctive. In his dexterity and the fierceness of his attack, Watson sounds far, far ahead of his time, a fact that only adds to the pleasure he provides on these fine blues tracks.
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