 |
 |
Format: DVD
 Mar 2006
 Not Rated
 Recording Mode: (unknown)
 195 min.
 Color
 Extra Info: 2-Disc Set; Side by Side
 UPC: 043396146556 |
 |
 |
| * Actual items for sale may vary from the above information and image. |
 |
|
 |
 |
Price
|
 |
Seller (Feedback)
|
 |
Comments
|
 |
Shipping
|
 |
Ships From
|
 |
 |
 |
$3.99 |
 |
meganxann (28 ) 100%
|
 |
special edition - but only one disc - previously a rental from blockbuster... |
 |
Media Mail Upgrade |
 |
NJ |
 |
More info... |
 |
|
* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
|
|
* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
|
 |
 |
 |
Movie Description THE SQUID AND THE WHALE: Noah Baumbach's THE SQUID AND THE WHALE is an excruciatingly humane, often hilarious portrait of a disintegrating family in mid-1980s Brooklyn. Set in the stately yet off-kilter neighborhood of Park Slope, the film tells the story of the Berkmans, a quintessentially New York family struggling to keep things together. Family patriarch Bernard (Jeff Daniels) is a published author and writing teacher whose insecurity over his diminished reputation continues to plague him. Meanwhile, his wife, Joan (Laura Linney), is grappling with her own dissatisfactions. Their sons, who are caught in the crossfire, express their confusion in different ways: 16-year-old Walt (Jesse Eisenberg) tries to pass off Pink Floyd's "Hey You" as his own hit in the school talent show, while his 12-year-old brother, Frank (Owen Kline), begins to explore his budding sexuality. When Bernard and Joan finally decide to separate, the family must confront their unraveling situation head on.
Rarely has family dysfunction been captured so frankly and honestly as in THE SQUID AND THE WHALE. Baumbach claims his film is only semi-autobiographical, but, from the pitch-perfect writing and nostalgic tone, it feels as if we're watching home videos of the writer-director's past. Featuring an outstanding pop-music soundtrack (Bert Jansch, The Feelies, Lou Reed), the film also boasts performances that seem certain to earn end-of-the-year accolades.
ADAPTATION: Following up their acclaimed debut, BEING JOHN MALKOVICH, screenwriter Charlie Kaufman and director Spike Jonze are back to metaphysical moviemaking with ADAPTATION. The film stars Nicolas Cage as both Charlie Kaufman himself and his fictionalized identical twin brother, Donald Kaufman. While the boisterous Donald freeloads off his sibling and works on a serial-killer movie script, Charlie is tormented by both his own army of neuroses and his new project, adapting THE ORCHID THIEF by Susan Orlean into a screenplay. As Charlie struggles to shape the nonfiction novel into a film, he begins writing himself into the story of Orlean (Meryl Streep), a sad-eyed journalist, and her subject, renegade Florida flower expert John Laroche (Chris Cooper). The resulting tale extends far beyond the scope of the book, stretching from Hollywood to New York to...Hollywood four billion years ago.
Equally as inventive as BEING JOHN MALKOVICH, ADAPTATION revels in its gloriously absurd premise. Kaufman and Jonze skillfully sidestep the pitfalls of such a seemingly self-indulgent project, creating a multilayered film that focuses on the writing process as well as the nature of beauty, the beauty of nature, and dozens of other significant themes. Cage makes a stunning return to pre-Bruckheimer form in the roles of the Kaufman brothers, giving their identical appearances completely different personalities and making them believable to boot. Meanwhile, the consistently excellent Streep and the often underrated Cooper are perfectly matched as Orlean and Laroche. Even the less central roles are played by great actors--Brian Cox, Tilda Swinton, Maggie Gyllenhaal, and Ron Livingston. Careening wildly between the hilarious, the ridiculous, and the poignant, Kaufman and Jonze's ADAPTATION is another fine example of their bravura yet sincere style of cinema.
|
 |
 |
 |
| If you likeThe Squid and the Whale (Special Edition)/Adaptation, you may also enjoy: |
 |
|
 |
|