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LIST PRICE
$14.99
Save 71%
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Format: DVD
Jan 2004
Rated R
Recording Mode: (unknown)
126 min.
Color
UPC: 717951004697 |
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In general items shipped via Media Mail should arrive in 2-9 days (excluding Alaska and Hawaii) from the time of shipping
* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Details
Movie Description
Simply put, LOVERS ON THE BRIDGE is one of the most exhilarating motion pictures of the 1990s. In building a replica of the famed Parisian Pont-Neuf bridge, Carax's film became the most expensive French film ever produced, up to that point. This budget controversy threatened to overshadow the film itself, which has slowly begun to garner the proper recognition it deserves (thanks to Martin Scorsese and Miramax's American rerelease in the summer of 1999). Lavant portrays Alex, a drug-addicted, fire eating homeless man who lives on the deserted bridge, which is being restored for the French Revolution Bicentennial Celebration. When Michele stumbles into his life, a desperate, passionate relationship unfolds. Michele is an artist who is losing her eyesight due to a bizarre disease. But plot isn't the issue here. The sheer visual spectacle is. Shifting from brutal documentary to romantic melodrama to surrealism, Carax's THE LOVERS ON THE BRIDGE is an electric, powerful, poetic picture.
Film Notes
DVD Features:
Region 1
Keep Case
Full Frame - 1.33
Audio:
Dolby 2.0 Surround Sound - French
Industry Reviews
"...Moving..."
Sight and Sound - p.64-5 - John Pym (12/01/1980)
"...LOVERS ON THE BRIDGE bursts with unflinching rawness....Dizzying camerawork and editing and brutally honest acting keep the emotions powerfully real..."
Box Office - Luisa F. Ribeiro (08/01/1999)
"...A love story that dances in between the magical cinema-worlds of Jean Vigo and Stanley Donen..."
Film Comment - Robert Horton (11/01/1992)
"...A go-for-broke dazzler that takes constant chances, dares to go over the top, indulges in one anticlimactic scene after another only to make such risks pay off all the more at the finish..."
Los Angeles Times - Kevin Thomas (07/02/1999)
"...It has grand gestures and touching moments of truth..."
Chicago Sun-Times - Roger Ebert (12/03/1999)
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