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Format: CD
 Aug 1998
 Record Label: Legacy Recordings
 Recording Type: Studio
 UPC: 074646552322 |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing 1. Meeting of the Spirits 2. Dawn 3. Noonward Race, The 4. Lotus on Irish Streams, A 5. Vital Transformation 6. Dance of Maya, The 7. You Know You Know 8. Awakening
| Details | | Producer: | Bob Belden (Reissue) | | Distributor: | Sony Music Distribution ( | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes Mahavishnu Orchestra: John McLaughlin (acoustic & electric guitars); Jerry Goodman (acoustic & electric violins); Jan Hammer (Fender Rhodes, ring modulator, piano); Rick Laird (electric bass); Billy Cobham (drums). Includes liner notes by John McLaughlin. All tracks have been digitally remastered using 20-bit technology. Mahavishnu Orchestra: John McLaughlin (guitar); Jerry Goodman (violin); Jan Hammer (piano, keyboards); Rick Laird (bass); Billy Cobham (drums). Includes liner notes by Sri Chinmoy and Bob Belden. Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24 karat gold and housed in a stress-resistant lift-lock jewel box. As British bands like Yes, ELP, and Genesis extended the borders of rock & roll, John McLaughlin had seized the opportunity to do the same with jazz. The first stars of the jazz/rock fusion camp, the Mahavishnu Orchestra played sellout concerts, sold records in quantities previously unheard of by jazz musicians, and captured a crossover audience of forward-looking jazz devotees and progressive rock fans. The music on THE INNER MOUNTING FLAME is incendiary and highly improvisational. Well-conceived unison melodic passages structure each tune, and McLaughlin and company play like the virtuosos they are throughout. "The Noonward Race" features a bluesy, yet harmonically dissonant solo from McLaughlin, and the frenetic drumming of Billy Cobham. In contrast, in "A Lotus on Irish Streams," McLaughlin soars passionately on an acoustic guitar, while violinist Jerry Goodman adds a simple, folky melody.
Industry Reviews ...where the virtuosity of jazz and the power of rock really gelled...and this 1971 debut - holding frenzy on a leash through strangely serene Eastern, Celtic and bebop melodies, as well as meta-Hendrix riffage - is arguably their finest hour... Mojo (02/01/1999)
...a retreat to more basic jazz and instrumental rock and roll. It's very similar to...DEVOTION, on which McLaughlin...made it clear that heavy rock music wasn't necessarily like having an anvil dropped on your skull... Rolling Stone (01/06/1972)
...a retreat to more basic jazz and instrumental rock and roll. It's very similar to...DEVOTION, on which McLaughlin...made it clear that heavy rock music wasn't necessarily like having an anvil dropped on your skull... Rolling Stone (01/06/1972)
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