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The Best of the Decca Years Vol. 1...
(CD, 1989)

Primary Artist: Louis Armstrong

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$0.75

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$14.98
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Format: CD
Nov 1989
Record Label: MCA Jazz
Recording Type: Studio
UPC: 076743134623
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Track Listing
1. On the Sunny Side of the Street
2. That Lucky Old Sun (Just Rolls Around Heaven All Day)
3. Gone Fishin' - (with Bing Crosby)
4. Kiss to Build a Dream On, A
5. You Rascal You (I'll Be Glad When You're Dead) - (with Louis Jordan)
6. La Vie en Rose
7. Blueberry Hill
8. In the Shade of the Old Apple Tree - (with The Mills Brothers)
9. Gypsy, The
10. Lazy River
11. I Surrender Dear
12. It's All in the Game
13. When It's Sleepy Time Down South

Details
Contributing artists:Bing Crosby, Earl Hines, Louis Jordan, The Mills Brothers
Distributor:Universal Distribution
Recording Type:Studio
Recording Mode:Mono
SPAR Code:AAD

Album Notes
Full Title: The Best Of The Decca Years, Vol. 1: The Singer
Personnel includes: Louis Armstrong (vocals, trumpet); George Dorsey (alto saxophone); Lucky Thompson (tenor saxophone); Billy Butterfield (trumpet); Trummy Young, Jack Teagarden (trombones); Barney Bigard (clarinet); Al Klink (clarinet, tenor saxophone); George Duviver (bass); Barrett Deems (drums).
Recorded in New York and Los Angeles between 1937-1956. Includes liner notes by Joe Goldberg.
A compilation of Decca singles that span from 1937 to 1956, BEST OF THE DECCA YEARS-VOL 1 documents Louis Armstrong's transition from early jazz innovator to world-famous performer of popular songs. These startlingly clear, beautifully balanced recordings often employ rich orchestrations that swell and roll beneath Armstrong's distinctive vocal and instrumental stylings. There are several stand-out tracks, including the famous recording of "On the Sunny Side of the Street," the sly "I Surrender Dear" with its ragtime interlude, and Armstrong's oddly appealing collaboration with the Mills Brothers on "In The Shade of The Old Apple Tree."
Inclusions such as the unfortunate choir on "That Lucky Old Sun" and over-the-top orchestrations on "It's All In The Game" are counterbalanced by the enthusiasm of Satch's performances (for example, the wonderfully mean-spirited "[I'll Be Glad When You're Dead] You Rascal You"). Subtitled "The Singer," the Decca collection showcases Armstrong more as a vocalist than an instrumentalist. The crystal clarity of the Decca recordings helps reveal Armstrong's voice for the true treasure it is--capturing even the finest nuances of his tone and timbre, as well as the subtleties of his expressive, conversational style.


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