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The Best of Ella Firzgerald and Louis Armstrong on Verve
(CD, 1997)

Primary Artist: Ella Fitzgerald

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$3.70

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$11.98
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Format: CD
Aug 1997
Record Label: Verve (USA)
Recording Type: Mixed
UPC: 731453790926
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$5.69 Buy! grlinblu
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Cd is from my personal collection. Cd has a couple light, small scratches,... Media Mail from IL More info

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Track Listing
1. Let's Call the Whole Thing Off
2. Love Is Here to Stay
3. Nearness of You, The
4. Stars Fell on Alabama
5. Gee, Baby, Ain't I Good to You?
6. They Can't Take That Away From Me
7. Autumn in New York
8. Summertime
9. Tenderly
10. Stompin' at the Savoy
11. Under a Blanket of Blue
12. I Wants to Stay Here
13. I've Got My Love to Keep Me Warm
14. There's a Boat Dat's Leavin' Soon For New York
15. You Won't Be Satisfied (Until You Break My Heart) (Live)

Details
Contributing artists:Buddy Rich, Herb Ellis, Louie Bellson, Oscar Peterson, Ray Brown
Producer:Norman Granz
Distributor:Universal Distribution
Recording Type:Mixed
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Full performer name: Ella Fitzgerald/Louis Armstrong.
Personnel: Ella Fitzgerald (vocals); Louis Armstrong (vocals, trumpet); Russell Garcia (conductor, arranger); Trummy Young (trombone); Edmond Hall (clarinet); Billy Kyle, Oscar Peterson (piano); Herb Ellis (guitar); Ray Brown, Dale Jones (bass); Louie Bellson, Buddy Rich, Barrett Deems (drums).
Principally recorded at Capitol Studios, The Hollywood Bowl, Hollywood, California from August 15, 1956 - August 28, 1957. Includes liner notes by William Ruhlmann.
From August 1956 to August 1957, legendary jazz producer Norman Granz oversaw several recording sessions and a handful of concerts at the Hollywood Bowl starring two of the finest singers in jazz history, Ella Fitzgerald and Louis Armstrong. Fitzgerald was at the peak of her powers at the time, having clearly defined herself as the best female singer in jazz. Armstrong was comfortably settling into his Grand Old Man of Jazz role by this point, trading hot swing and fiery trumpet solos for genial, good-humored vocalizing.
Still, Armstrong was never one to back off from a challenge, and he holds his own divinely against the younger singer. Fitzgerald was Armstrong's only rival as a scat singer, and so nearly every track here dissolves into impressive competing scat solos. Fans of scat singing will rejoice.

Industry Reviews
August 28, 1957. Includes liner notes by William Ruhlmann. From August 1956 to August 1957, legendary jazz producer Norman Granz oversaw several recording sessions and a handful of concerts at the Hollywood Bowl starring two of the finest singers in jazz history, Ella Fitzgerald and Louis Armstrong. Fitzgerald was at the peak of her powers at the time, having clearly defined herself as the best female singer in jazz. Armstrong was comfortably settling into his Grand Old Man of Jazz role by this point, trading hot swing and fiery trumpet solos for genial, good-humored vocalizing. Still, Armstrong was never one to back off from a challenge, and he holds his own divinely against the younger singer. Fitzgerald was Armstrong's only rival as a scat singer, and so nearly every track here dissolves into impressive competing scat solos. Fans of scat singing will rejoice.



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