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Taking a Chance on Love
(CD, 2004)

Primary Artist: Jane Monheit


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LIST PRICE
$25.99
Format: CD
Oct 2004
Record Label: Sony
Recording Type: Studio
UPC: 4547366016468
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Track Listing
1. Honeysuckle Rose
2. In the Still of the Night
3. Taking a Chance on Love
4. Bill
5. I Won't Dance
6. Too Late Now
7. Why Can't You Behave?
8. Do I Love You?
9. I Should Care
10. Love Me or Leave Me
11. Embraceable You
12. Dancing in the Dark
13. I Wish I Were in Love Again
14. Over the Rainbow

Details
Contributing artists:Christian McBride, Donald Harrison, Geoffrey Keezer, Michael Buble, Rob Mounsey, Ron Carter
Distributor:MSI Music Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Release features two extra songs ("I Should Care," and "I Wish I Were in Love Again").
CD contains 2 bonus tracks.
While the early 2000s bore witness to a bevy of youthful standards singers with earnestly traditional vocals, New Yorker Jane Monheit preceded Norah Jones, Michael Buble, Katie Melua et al. She wowed the jazz world when she was barely out of her teens with her 2000 debut, NEVER NEVER LAND, and quickly ascended to stardom. Monheit's fourth record, 2004's TAKING A CHANCE ON LOVE, expresses her love for movie musicals of the 1930s and '40s.
From both Monheit's song choices and the fervor she pours into these selections, it's virtually impossible to challenge the sincerity of her affection. Monheit opens by finding a truly original, offbeat angle to the oft-visited Fats Waller classic "Honeysuckle Rose" and continues to connect throughout the 11 subsequent tracks. She teams up with the aforementioned Michael Buble on a charged version of the always-lively "I Won't Dance" and finds every ounce of sultriness in "Why Can't You Behave?" and "Dancing in the Dark." As with most of the acclaimed jazz stylists of her day, Monheit possesses incredible vocal shrewdness, but it is her almost spiritual connection to the tunes of a bygone era that clearly sets her apart.

Industry Reviews
4 stars out of 5 - Jane Monheit shuffles accompaniments, attitudes and tempos in her newest recital, whose now familiar roots run deep into a dozen of the finest songs one could want.



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