Details
Movie Description
Marking perhaps his first public consideration of himself as an artist, Woody Allen's STARDUST MEMORIES is also a bold narrative exercise that recalls the European cinema that Allen admires. Allen stars as Sandy Bates, a celebrated filmmaker who travels to a weekend retrospective of his films. There, he is assaulted by his fans and critics, and can only find refuge in the companionship of his friend's wife Daisy (Jessica Harper of SUSPIRIA fame), and in his memories of an intense relationship with beautiful but insane Dorrie (Charlotte Rampling). As the weekend continues, he struggles with his feelings of inadequacy, haunted by the repeated comment "I liked your earlier, funny films better."
The most obvious point of reference for the film, as many have pointed out, is Fellini's 8 1/2: both deal with filmmakers questioning their own purpose and path, both combine comedy and pathos, and Allen's use of black and white cinematography and scenes of absurdity seem lifted almost directly from Fellini's film. Allen's examination of his career employs a nearly plotless structure, driven more by character and theme, with a rather daring temporal editing structure that causes his memories of the past to flow neatly into the present. It differs from his later films that deal with similar thematic material, such as the caustic DECONSTRUCTING HARRY and CELEBRITY, in that Allen seems to place equal blame on both himself and those he feels expect too much from him. STARDUST MEMORIES is truly unique, a film made by an artist on the edge of a divide in his career and considering if his actions are worthwhile or even legitimate. Although it may not be for everyone, for anyone with even a passing interest in Allen it must be seen.
Synopsis
Woody Allen's homage to Fellini's self-referential masterpiece, "8 1/2."
Sandy Bates is a world-famous director of film comedies who wants desperately to make "serious" movies. At the invitation of a prominent critic, Bates travels to the Stardust Hotel in upstate New York in order to attend a retreat put together to honor his achievements as a filmmaker. What he encounters there is a circus-like atmosphere comprising cloyingly devoted fans, as grotesque as they are obsequious, all professing their unconditional love for Sandy while at the same time wondering aloud why "he don't make 'em like he used to." As the weekend ends, Bates finds himself bathed in the greasy light of self-recognition and haltingly discovers that he may be more repulsive than any of the adoring fans he so loathes.
Film Notes
DVD Features
Region 1
Keep Case
Anamorphic Widescreen - 1.85
Single Side - Single Layer
Audio:
Dolby Digital Mono - English
Additional Release Material:
Trailers - 1. Original Theatrical Trailer
Additional Products:
Booklet
Theatrical Release: September 26, 1980.
First screen appearance with a bit part for actress Sharon Stone.
Andy Albeck, president of United Artists at the time, has a cameo in as a studio executive who bemoans to Allen that his latest film just isn't funny.
Judith Crist, a movie reviewer, also appears in a cameo as a cabaret patron.
Rated BBFC AA by the British Board of Film Classification.
Industry Reviews
Included in the New York Times "10 BEST FILMS OF 1980"
New York Times - p.II:15 - Vincent Canby (12/28/1980)
"...This scathing, audacious new film finds [Allen] using [comedy] full-force for the first time....Imbued with a very special bravado..."
New York Times - Janet Maslin (09/26/1980)
Quotations
"I like your early, funny films."--a fan to film director Sandy Bates (Woody Allen)
"You want to do a service for mankind? Tell funnier jokes."--a space alien to film director Sandy Bates (Woody Allen)
"What do you think was the significance of the Rolls-Royce?"
"I think it represented his car."--one audience member to another, as they leave a screening of Sandy Bates's (Woody Allen's) latest film.
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