Details
Track Listing
1. Tranquilize - (with Lou Reed)
2. Shadowplay
3. All the Pretty Faces
4. Leave the Bourbon on the Shelf
5. Sweet Talk
6. Under the Gun
7. Where the White Boys Dance
8. Show You How
9. Move Away
10. Glamorous Indie Rock and Roll
11. Who Let You Go?
12. Ballad of Michael Valentine, The
13. Ruby, Don't Take Your Love to Town
14. Daddy's Eyes
15. Sam's Town - (Abbey Road Version)
16. Romeo and Juliet
17. Mr. Brightside - (Jacques Lu Cont's Thin White Duke remix)
| Details | | Distributor: | Universal Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
The Killers emerged in 2004 with a more pop-friendly version of the post-punk revival sound of Franz Ferdinand, the Rapture, et al., and their combination of arena-sized guitar-pop, candy-colored dance-rock, and Robert Smithian vocals (de rigueur for their peer group) made them stars. Three albums down the line, they prove to be more than a flash in the pan on SAWDUST. Something of a grab-bag, the album contains their cover of Joy Division's "Shadowplay" (used in the biopic CONTROL), as well as a tune from the Spider Man 3 soundtrack ("Move Away"). They also pay tribute to less obvious influences with straightforward, unironic covers of Dire Straits' "Romeo and Juliet" and Kenny Rogers's "Ruby Don't Take Your Love to Town." The Killers commune with their elders in a more visceral--albeit equally unexpected--way at the start of SAWDUST on "Tranquilize," where they're joined by none other than Lou Reed.
Industry Reviews
3 stars out of 5 -- 'Tranquilize' has a sinister ambience and a pronounced art-rock sensibility.
4 stars out of 5 -- SAWDUST...might just be their defining document....The brooding 'Tranquilize' drafts in Lou Reed and displays an untapped understatement that could yet be the making of them.
Brandon Flowers shines...on both the deranged 'Tranquilize' and the haunting 'Sweet Talk'....Gratifyingly great. -- Grade: B
3 stars out of 5 -- [I]t's hard to deny Brandon Flowers' melodic gifts, which fuel catchy uptempos like 'Under the Gun' and 'Where the White Boys Dance'...
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