Details
Movie Description
With her dreams of becoming a professional ballerina decimated by the accidental death of her mother, Sara Johnson (Stiles) is forced to move from her quiet Midwestern town to her father's ghetto apartment on the south side of Chicago. The stark urban environment's contrast of race and class compound Sara's loss and her misplaced guilt, which are both exacerbated by the fact that her mother had been en route to her dance performance at the time of her death. But when she meets Derek (Sean Patrick Thomas), a popular black student with a passion for hip-hop and a future brighter than his troubled past, her repressed ambition and sorrow are released through a revitalized interest in the cathartic and expressive power of dance. Their friendship and mutual interest in dancing inexorably lead to a passionate romance that raises the sadly typical, bigoted resistance from Sara's white father and Derek's black friends. Widely hailed by critics for being as sophisticated and intelligent as it is viscerally passionate, SAVE THE LAST DANCE enjoyed the top of the American box office in its first weekend in release, playing to sold out shows across the country, a landslide affirmation that Sara and Derek are not as alone as they think.
Film Notes
DVD Features:
Region 1
Keep Case
Anamorphic Widescreen
Audio:
Dolby Digital 5.1 - English
Dolby Digital 2.0 - English
Dolby Digital Mono - French
Additional Release Features:
Deleted Scenes
Audio Commentary - 1. Thomas Carter - Director
Production Interviews
Making-of
Music Video - 1. K-Ci & Jo Jo - "Crazy"
Original Theatrical Trailer
Interactive Features:
Scene Access
Interactive Menus
Theatrical release: January 12, 2001.
In preparation for the dance performances, Stiles and Thomas spent eight hours every weekend in dance studios and made regular visits to Chicago hip-hop clubs.
Sara's rural hometown was filmed in Lemont, Illinois.
Sara's ballet auditions were filmed at the Chicago Theater, the Schubert Theater, and the Athenaeum Theater.
SAVE THE LAST DANCE was number one at the box office on it's first weekend, taking in more than $27 million over the three-day Martin Luther King Day weekend.
Industry Reviews
"...[Stiles'] performance, and her dancing, blossom in a pleasant, spirited way....Thomas projects a potently attractive self-confidence..."
Variety - p.37-8 - Robert Koehler (01/08/2001)
"...SAVE THE LAST DANCE teaches that you should never give up your dreams and that love is all you need..."
Entertainment Weekly - p.63 - Lisa Schwarzbaum (01/19/2001)
"...[The film has] smart performances and pulls off the rare trick of tackling some thorny racial issues without becoming blandly moralistic..."
Total Film - p.85 - Robert Abele (04/01/2001)
"...Well-crafted and smoothly paced, SAVE THE LAST DANCE benefits most strongly from its predominately youthful cast....Lawson and the most appealing Washington make impressions as vivid as those of Stiles and Thomas..."
Los Angeles Times - p.F1 - Kevin Thomas (01/12/2001)
"...The development is intelligent, the characters are more complicated than we expect and the ending doesn't tie everything up in a predictable way....[Stiles is] one of the most talented of the emerging generation of actresses..."
Chicago Sun-Times - Roger Ebert (01/12/2001)
Quotations
"You come and take one of the few decent men left after drugs, jail and drive-bys."-- Chenille (Washington) to Sara (Stiles)
"We spend more time defending our relationship than actually having one."
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