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Roll Out the Barrel
(CD, 1999)
Primary Artist: Jad Fair
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LIST PRICE
$18.98
Save 47%
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Format: CD
Jan 1999
Record Label: Shimmy-Disc
Recording Type: Studio
UPC: 738641001222 |
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In general items shipped via Media Mail should arrive in 2-9 days (excluding Alaska and Hawaii) from the time of shipping
* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Details
Track Listing
1. Cheerleaders Wild Weekend
2. Double For Me
3. Bird of Prey
4. Subterranean Homesick Blues
5. If It's O.K.
6. Better Safe Than Sorry
7. Den of Angels
8. Blind Hope
9. California
10. When Is She Coming
11. Second Thought
12. Eye of the Hurricane
13. Best Left Unsaid
14. No One Knows
15. By and By
16. Help
17. Around and Around
18. What I've Been Waiting For
19. Load and Mount
20. Nosferatu
21. Twist and Shout
22. King Kong
23. Rockin' Chair
24. Easy to See
25. On the Sunny Side of the Street
26. Flower of the North
27. Paths of Glory
Album Notes
Personnel includes: Jad Fair (vocals, guitar); Kramer (various instruments);
Rebby Sharp (vocals, banjo); Penn Jillette (vocals); Don Fleming (guitar); John Zorn (alto saxophone); Ralph Carney (saxophone); Scott Jarvis (drums); David Licht (percussion); Thurston Moore, Kim Gordon.
Recorded at Noise New York, New York, New York.
This is a satisfying pairing of Half Japanese mainstay Jad Fair and New York City scenester Mark Kramer. Kramer's musical settings take Jad into new terrain, but like a polite and eager tourist, Jad takes it all in with enthusiasm and wide-eyed wonder. "If It's Okay" is a stately, near-chamber music piece wherein the music dresses up Jad's usual romanticism in matching sonorities.
Penn Jillette (of Penn & Teller) shows up to sing on two songs, most notably Bob Dylan's "Subterranean Homesick Blues." The version is at once unexpected and perfectly natural--very subterranean, very homesick, and very blue. The set as a whole is the furthest Jad has ever been from punkish abandon (not Kramer's forte), but this very musical meeting ground makes ROLL OUT THE BARREL one of Jad's best--albeit atypical--releases.
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