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Format: CD
 Sep 2004
 Record Label: Velvel Records, LLC
 Recording Type: Studio
 UPC: 634677980862 |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing 1. Preservation (Single) - (alternate mix, bonus track) 2. Morning Song 3. Daylight 4. Sweet Lady Genevieve 5. There's a Change in the Weather 6. Where Are They Now? 7. One of the Survivors 8. Cricket 9. Money And Corruption / I Am Your Man 10. Here Comes Flash - (live) 11. Sitting in the Midday Sun 12. Demolition 13. One of the Survivors - (remix, single edit, bonus track)
| Details | | Producer: | Ray Davies | | Distributor: | Koch (Distributor USA) | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. The Kinks: Dave Davies, Ray Davies (vocals, guitar); John Gosling (keyboards); John Dalton (bass guitar); Mick Avory (drums). Additional personnel: Laurie Brown (flute, tenor saxophone, trumpet); Alan Holmes (clarinet, baritone saxophone); John Beecham (trombone, tuba); Pamela Travis, Krysia Kocjan, Sue Brown, Lewis Rich, Lee Pavey (background vocals). Liner Note Author: Peter Doggett. Recording information: Konk Studios, London, England (05/1973 - 07/1973); Konk Studios, London, England (10/1974). Despite the title's similarity to that of the Kinks' 1968 album THE VILLAGE GREEN PRESERVATION SOCIETY (which frequently turns up on "Greatest Albums of All Time" surveys), the group's 1973 rock opera PRESERVATION ACT 1 is not nearly as song-oriented as its predecessor. As Record Collector editor Peter Doggett writes in his excellent liner notes to VelVel's reissue of PRESERVATION ACT 1, VILLAGE GREEN was more of a concept album, creating a feel without using a narrative. Each of its songs was a miniature window into English villages' fast-disappearing way of life. With PRESERVATION ACT 1, Ray Davies took the basic idea behind VILLAGE GREEN and turned it into a larger-than-life production with a highly didactic narrative. It was clear that, this time around, Davies was not going to leave listeners any room to interpret his musical statements symbolically. The result was a Kinks album like no other, a forum for Davies's wildly creative imagination and his talent for storytelling. It left many Kinks fans hungry for its sequel, PRESERVATION ACT 2, which came out six months later.
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