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Format: CD
Jul 1989
Record Label: Capitol/EMI Records
Recording Type: Studio
UPC: 077779174324 |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing
1. To All the Girls
2. Shake Your Rump
3. Johnny Ryall
4. Egg Man
5. High Plains Drifter
6. Sounds of Science, The
7. 3-Minute Rule
8. Hey Ladies
9. 5-Piece Chicken Dinner
10. Looking Down the Barrel of a Gun
11. Car Thief
12. What Comes Around
13. Shadrach
14. Ask For Janice
15. B-Boy Bouillabaise: 59 Chrystie Street / Get On The Mic / Stop That Train / A Year And A Day / Hello Brooklyn / Dropping Names / Lay It On Me / Mike On The Mic / A.W.O.L.
Album Notes
The Beastie Boys: Mike D, Ad-Rock, M.C.A.
When The Beastie Boys hit platinum with their debut album, they were instantly labeled the Elvises of rap, accused of being just another bunch of white musicians stealing from black music. But what was overlooked was that the Beasties actually had some interesting ideas to take hip hop to new levels. While in the years to come other white rappers like Vanilla Ice and Jesse Jaymes would prove they were the true cultural thieves, the Beasties defended themselves by recording a seminal rap album, PAUL'S BOUTIQUE. The record was, in fact, so legit that it eroded their commercial appeal in middle America.
PAUL'S BOUTIQUE is a sample-fest--a post-modern epic of cut and splice studio wizardry. Taking snippets of music from sources as disparate as Curtis Mayfield, The Beatles, B.D.P., The Ramones and The Jaws soundtrack (as well as countless others), they built songs out of the debris of modern culture. Over these mind-blowing tracks, they weaved tall tales, self-promotional proclamations and sheer non-sense into a singular vision of inspired lunacy. Besides Public Enemy, no one else was producing albums as complex as this. PAUL'S BOUTIQUE sounds two or three years ahead of its time, perhaps this is why the album was considered such a failure upon its release.
Whatever the case, there really is no album that sounds quite like this one does; the Beasties returned to the top of the charts a few years later with CHECK YOUR HEAD, but they may never be able to top the originality and depth of their stunning sophomore effort.
Industry Reviews
9 - Excellent Plus - ...Five years on from its release way back in August '89, [PAUL'S BOUTIQUE] is still an electrifying blast of cool....If you thought ILL COMMUNICATION was cool, check its younger incarnation...
New Musical Express (11/19/1994)
3 Stars - Good - ...betters its Bud-spraying predecessor on all counts: slower, funkier, funnier more diverse in reference....there is upbeat fun...silliness...and brooding invention...
Q Magazine (01/01/1995)
5 stars out of 5 - ...A celebration of American junk culture that is still blowing minds today - even fourteen years of obsessive listening can't exhaust all the musical and lyrical jokes crammed into PAUL'S BOUTIQUE...
Rolling Stone (02/06/2003)
Ranked #5 in Rolling Stone's 50 Coolest Records - ...Their accidental turn into great artists...
Rolling Stone (04/11/2002)
Ranked #156 in Rolling Stone's 500 Greatest Albums Of All Time - [I]t ambitiously stitches together song fragments in a way rarely seen before or since.
Rolling Stone (12/11/2003)
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