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Format: CD
May 2000
Record Label: Universal Music Latino
Recording Type: Studio
UPC: 731454331920 |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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$5.00 |
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alibris_music
(602 ) 98%
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Good/Good Audio CD in good condition with light scratches. From library... |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing
1. Lo Hare Por Ti
2. El Ultimo Adios
3. Tal Vez, Quiza
4. Y Yo Sigo Aqui
5. Sin Aire
6. Tan Sola
7. Sexy Dance
8. Cancun Y Yo
9. Mirame A Los Ojos
10. Yo No Soy Esa Mujer
11. Vive El Verano
12. Baby Paulina
| Details | | Distributor: | Universal Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
Personnel: Paulina Rubio (vocals); Rene Luis Toledo (acoustic & electric guitars); Estefano (acoustic guitar, background vocals); Marcello Azevedo (electric guitar, bass, programming, background vocals); Javier Carrion (electric guitar, bass); Jonathan Kreisberg (electric guitar); Tony Concepcion (trumpet); Chris Rodriguez (keyboards, programming, background vocals); Silvio Richetto (keyboards); Brian Lamar (bass); Ivan Zervigon (percussion); Marc Martin, Santi Maspons (programming); Michael Consculluela, Beth Cohen, Jessica Chirinos, Jori Horivitz, Adriana Mezzadri, Odisa Beltran, Joan Carles Capdevilla, Tulio Tonelli (background vocals).
Producers: Chris Rodriguez, Marcello Azevedo, Francisco Pellicer.
Engineers include: Javier Carrion, Silvio Richetto, Santi Maspons.
Recorded at Midnight Blue Studios, Miami, Florida and Code Studios, Barcelona, Spain.
PAULINA was nominated for the 2001 Latin Grammy Awards for Album of the Year and for Best Female Pop Vocal Album. "Y Yo Sigo Aqui" was nominated for the 2001 Latin Grammy Award for Song of the Year.
From the chunky wah-wah guitars of the opener "Lo Hare Por Ti" to the Smash Mouth-meets-Blonide groove of the frenetic "Sin Aire," and the anthemic, Alanis-like attack of "Yo No Soy Esa Mujer," its clear that Paulina Rubio had got a wide variety of pop tricks up her sleeve. Her recording career began in the early 1990s, and Rubio has lasted long enough to know that a monochromatic aesthetic will eventually work against you in the mercurial world of pop. The fact that she assimilates so many influences within the context of Latin music adds an even more intriguing element to PAULINA. And whatever the sonic framework, Rubio's big, passionate, diva-material voice makes every song on this disc sound like an event.
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