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Format: CD
 Mar 2004
 Record Label: Fonovisa
 Recording Type: Studio
 UPC: 808835124522 |
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$15.25 |
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woodysbook (6907 ) 93%
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Excellent customer service. May ship from alternate location depending on... |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing 1. No Tiene la Culpa el Indio - (Spanish) 2. Chin Marin - (Spanish) 3. Vale la Pena - (Spanish) 4. Ayudame a Creer - (Spanish) 5. Cumbia Guajira - (Spanish) 6. Liar, Liar - (Spanish) 7. El Santo de los Mojados - (Spanish) 8. Las Mujeres de Juarez - (Spanish) 9. Jose Perez Leon - (Spanish) 10. La Manzanita - (Spanish) 11. El Nino de la Calle - (Spanish) 12. Va Por Ahi - (Spanish) 13. Montones de Buena Suerte 14. Amigo Juan - (Spanish)
| Details | | Producer: | Eduardo Hernandez | | Distributor: | Universal Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes Recorded at the Annex Recording Studios, Menlo, California. This special edition includes a bonus DVD which includes music videos for "Jose Perez Leon" and "No Tiene La Culpa El Indio." Recorded at the Annex Recording Studios, Menlo, California. The grand old men of Norteno music have been around since the mid-1960s, but you'd never know it from this energetic set of expertly played and performed songs, which ranges from the irresistibly danceable "No Tiene La Culpa El Indio" to the soulful "Vales La Pena." There's an up-to-date quality to the cumbia rhythms of "Cumbia Guarija" that shows Los Tigres haven't lost their ear for newer sounds or their appeal to a contemporary audience. The two-step reigns supreme throughout PACTO DE SANGRE, from the deceptively upbeat "Liar, Liar" to "Las Mujeres De Juarez" with its rundown of those women's particular virtues, and it's Los Tigres' particular strength that they vary its presentation so much that each song feels like a reinvention. The grand old men of Norteno music have been around since the mid-1960s, but you'd never know it from this energetic set of expertly played and performed songs, which ranges from the irresistibly danceable "No Tiene La Culpa El Indio" to the soulful "Vales La Pena." There's an up-to-date quality to the cumbia rhythms of "Cumbia Guarija" that shows Los Tigres haven't lost their ear for newer sounds or their appeal to a contemporary audience. The two-step reigns supreme throughout PACTO DE SANGRE, from the deceptively upbeat "Liar, Liar" to "Las Mujeres De Juarez" with its rundown of those women's particular virtues, and it's Los Tigres' particular strength that they vary its presentation so much that each song feels like a reinvention.
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