Details
Track Listing
DISC 1: THE ORIGINAL MONO ALBUM EXPANDED:
1. Ole Man Trouble - (mono)
2. Respect - (mono)
3. Change Gonna Come - (mono)
4. Down in the Valley - (mono)
5. I've Been Loving You Too Long - (mono)
6. Shake - (mono)
7. My Girl - (mono)
8. Wonderful World - (mono)
9. Rock Me Baby - (mono)
10. Satisfaction - (mono)
11. You Don't Miss Your Water - (mono)
12. I've Been Loving You Too Long (Mono Mix of Stereo Album Version) - (previously unreleased, mono)
13. I'm Depending on You (B-Side)
14. Respect (Mono Mix of Stereo Album Version) - (previously unreleased, mono)
15. Ole Man Trouble (Mono Mix of Stereo Album Version) - (previously unreleased, mono)
16. Any Ole Way (B-Side)
17. Shake (Live, 1967-Stereo Mix of Single Version) - (live)
18. Ole Man Trouble - (live)
19. Respect - (live)
20. I've Been Loving You Too Long - (live)
21. Satisfaction - (live)
22. I'm Depending on You - (live)
23. Any Ole Way - (live)
DISC 2: THE ORIGINAL STEREO ALBUM EXPANDED:
1. Ole Man Trouble
2. Respect
3. Change Gonna Come
4. Down in the Valley
5. I've Been Loving You Too Long
6. Shake
7. My Girl
8. Wonderful World
9. Rock Me Baby
10. Satisfaction
11. You Don't Miss Your Water
12. Respect (1968 Version)
13. I've Been Loving You Too Long - (live)
14. My Girl - (live)
15. Shake - (live)
16. Satisfaction - (live)
17. Respect - (live)
Album Notes
Personnel: Otis Redding (vocals); Steve Cropper (guitar); Andrew Love (tenor saxophone); Floyd Newman (baritone saxophone); Wayne Jackson, Gene "Bowlegs" Miller (trumpet); Isaac Hayes, Booker T. Jones (keyboards); Donald "Duck" Dunn (bass); Al Jackson Jr. (drums); Earl Sims (background vocals).
Recorded at Stax Recording Studios, Memphis, Tennessee in July of 1965 except track 5 recorded in April of 1965.
Originally released on Volt (412).
Includes original release liner notes by Bob Rolontz.
Personnel: Otis Redding (vocals); Steve Cropper (guitar); Andrew Love (tenor saxophone); Floyd Newman (baritone saxophone); Wayne Jackson, Gene "Bowlegs" Miller (trumpets); Isaac Hayes, Booker T. Jones (keyboards); Donald "Duck" Dunn (bass); Al Jackson Jr. (drums); Earl Sims (background vocals).
Recorded at Stax Recording Studios in Memphis, Tennessee in July of 1965 except track 5 recorded in April of 1965. Originally released on Volt (412). Includes original release liner notes by Bob Rolontz.
Many people's choice as their favorite Otis Redding album, much of OTIS BLUE finds the quintessential soul singer in atypically sensitive mode. Up until its release he'd been regarded as something of an R&B shouter in the Wilson Pickett mould, and he doesn't disappoint fans of this earlier incarnation with typically energetic versions of "Respect," "Shake" and "Satisfaction."
But it's the album opener, "Ole Man Trouble" that's a sign of Redding's emerging more mature, reflective side that was to culminate in the posthumous "Sitting on the Dock of the Bay," while the heartbreaking "I've Been Loving You Too Long" remains one of his, and perhaps soul music's, greatest performances. He is, of course, accompanied throughout by the classic MG's lineup which, as always, is the perfect foil for his distinctive style. OTIS BLUE finds Otis Redding and '60s soul at their respective artistic peaks.
Many people's choice as their favorite Otis Redding album, much of OTIS BLUE finds the quintessential soul singer in atypically sensitive mode. Up until its release he'd been regarded as something of an R&B shouter in the Wilson Pickett mould, and he doesn't disappoint fans of this earlier incarnation with typically energetic versions of "Respect," "Shake" and "Satisfaction."
But it's the album opener, "Ole Man Trouble" that's a sign of Redding's emerging more mature, reflective side that was to culminate in the posthumous "Sitting on the Dock of the Bay," while the heartbreaking "I've Been Loving You Too Long" remains one of his, and perhaps soul music's, greatest performances. He's of course accompanied throughout by the classic MG's lineup which, as always, is the perfect foil for his distinctive style. OTIS BLUE finds Otis Redding and '60s soul at their respective artistic peaks.
Industry Reviews
Ranked #35 in NME's list of the `Greatest Albums Of All Time.'
NME (10/02/1993)
Included in Q Magazine's Best Soul Albums Of All Time
Q (05/01/2000)
5 stars out of 5 - ...Redding's true dictionary of soul, a stunning journey through the past and future vocabulary of R&B....documenting a masterful artist rising to...the immense challenge of his times.
Rolling Stone (08/17/2000)
5 Stars - Indispensable - ...the isolated constituent parts of OTIS BLUE come together with a beautiful precision which borders on a kind of Southern soul sorcery...arguably the hottest and strongest half-hour in soul...
Q (02/01/1993)
Ranked #74 in Rolling Stone's 500 Greatest Albums Of All Time
Rolling Stone (12/11/2003)
OTIS BLUE marked the beginning of increased visibility for Redding....Consistently gripping...
5 stars out of 5 -- [T]he album opens with a stolid blues, 'Ole Man Trouble,' but then explodes wide open with Redding's own 'Respect'...
4 stars out of 5 -- [T]his is widely regarded as Southern soul's crowning glory. The almost perfect crystallisation of Stax's gritty house sound, there's no filler...
5 stars out of 5 -- [B]eautifully grained, gospel-rich performances....The band, Cropper's stinging guitar and the atonal Memphis horns, are phenomenal throughout -- this is as much their album as Redding's.
[H]e lends a passionate intensity to every song...
5 stars out of 5 -- [A]mid R&B-gig standards like the Temptations' 'My Girl,' the melodic invention in Redding's songs and the emotional investment in his performances mark the point at which he stopped merely singing soul music. He now created his own...
5 stars out of 5 -- So spare, so strong, not a note wasted, defining the very spirit of 60s soul and never sounding better. And riding it all, that amazing voice, that unique fusion of pain and pride, of yearning and percussive drive.
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