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Format: CD
Feb 2004
Record Label: Columbia (USA)
Recording Type: Studio
UPC: 827969055120 |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing
1. More
2. Very Thought Of You, The
3. Save The Last Dance For Me
4. My Blue Heaven
5. You Don't Know Me
6. All These Things
7. For Once In My Life
8. Only You
9. My Prayer
10. Other Hours
11. I Only Have Eyes For You
12. Good Night My Love (Pleasant Dreams)
Album Notes
Personnel: Harry Connick, Jr. (vocals, conductor, piano); James Greene, Charles Goold (alto saxophone); Jerry Weldon, Mike Karn (tenor saxophone); Dave Schumacher (baritone saxophone); Roger Ingram, Derrick Gardner, Leroy Jones, Joe Magnarelli (trumpet); Mark Mullins, Joe Barati, Craig Klein, John Allred (trombone); Neal Caine (bass); Arthur latin II (drums); Paulinho Da Costa, Alex Acuna (percussion).
Recorded at Capitol Studios, Hollywood, California in 2003.
In the liner notes of ONLY YOU, crooner Harry Connick tells how the impetus for the album was Columbia honcho Donny Ienner's request for the singer to record some songs from Ienner's youth (1950s/'60s hits). Whether this was an entreaty or an ultimatum, Connick sagely turned it to his advantage, inching up a decade or two from his usual selection process and cherry-picking some of the finest tunes from that era (even if a couple were originally written decades earlier). Connick breaks some new stylistic ground too, dipping into the country songbook ("You Don't Know Me") and even slipping into doo-wop territory ("I Only Have Eyes for You" and the title track").
The most impressive thing about ONLY YOU is that instead of twisting himself into a stylistic pretzel in order to accommodate these varied modes, Connick artfully reinvents these tunes (not only as vocalist, but as arranger/conductor) to suit his own Sinatra-influenced pop/jazz style. His treatment of the aforementioned "I Only Have Eyes for You," for example, brings out the inherent spectral qualities of the song, turning it into an ethereal tour de force for his moody arrangement and cool vocal. Throughout the album, Connick manages to turn such tricks consistently, proving himself an able interpreter of more than one chapter in the Great American Songbook.
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