Details
Track Listing
DISC 1:
1. Devil's Haircut
2. Hotwax
3. Lord Only Knows
4. New Pollution, The
5. Derelict
6. Novacane
7. Jack-Ass
8. Where It's At
9. Minus
10. Sissyneck
11. Readymade
12. High 5 - (Rock The Catskills)
13. Ramshackle
14. Hidden Track
15. Deadweight - (Additional Track)
16. Inferno - (previously unreleased, Additional Track)
17. Gold Chains - (previously unreleased, Additional Track)
DISC 2:
1. Where It's At - (U.N.K.L.E. remix)
2. Richard's Hairpiece - (Aphex Twin remix, Remix Of Devil's Haircut)
3. American Wasteland - (Mickey P. Aphex Twin Of Devil's Haircut remix, Remix Of Devil's Haircut)
4. Clock - (B-Side)
5. Thunder Peel - (B-Side)
6. Electronic Music and the Summer People - (B-Side)
7. Lemonade - (B-Side)
8. Sa-5 - (B-Side)
9. Feather in Your Cap - (B-Side)
10. Erase the Sun - (B-Side)
11. .000.000 - (B-Side)
12. Brother - (B-Side)
13. Devil Got My Woman - (B-Side)
14. Trouble All My Days - (B-Side)
15. Strange Invitation - (B-Side)
16. Burro - (B-Side)
| Details | | Contributing artists: | Charlie Haden | | Distributor: | Universal Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
Personnel: Beck Hansen (vocals, acoustic, slide & electric guitars, harmonica, electric piano, celeste, Clavinet, organ, keyboards, bass, drums, percussion); Greg Leisz (pedal steel guitar); David Brown (saxophone); Mike Boito (trumpet, organ); Charlie Haden (acoustic bass); Joey Waronker (drums, percussion); Ross Harris.
Producers: Beck Hansen, The Dust Brothers, Mario Caldato Jr., Brian Paulson, Tom Rothrock.
Like its creator's freewheeling songwriting process, ODELAY is a monument to wondrously precise pastiche. It's a glowing junkyard of musical styles, absurdist images, distorted samples, postmodern anti-emotions, you name it. Over the course of his three previous albums, Beck tinkered with more traditions and aesthetic approaches than an average cultural-studies professor sees in a career: hip-hop beats, acoustic folk-blues, indie-punk guitar squalls, DIY production, commercial smash! ODELAY accounts for all those things, too, but it also furthers the seamless, rump-shaking sheen of its collage nature, turning process into possible meaning.
On one hand, the thematic darkness that hangs over most of these songs exposes Beck for the creative doomsayer he is--just another sullen young man with a gift of the native tongues. On the other, the life-affirming irreverence with which he drops harebrained couplets, monologues and call-and-response chants based on designer-jeans brands betrays the glowing confidence of someone in love with all the places the creative process can take you. Grooving all the while, Beck seems like the loving creator of a '90s version of the electric Dylan frenzy. And ODELAY seems sorta like his BRINGING IT ALL BACK HOME.
Industry Reviews
Included in Rolling Stone's Essential Recordings of the 90's.
Rolling Stone (05/13/1999)
Ranked #4 in Spin Magazine's 90 Greatest Albums of the '90s.
Spin (09/01/1999)
Ranked #1 on Rolling Stone's list of the Ten Best Albums of 1996.
Rolling Stone (01/23/1997)
Ranked #1 on Spin's list of the 20 Best Albums Of '96.
Spin (01/01/1997)
Ranked #1 in the Village Voice's 1996 Pazz & Jop Critics' Poll.
Village Voice (02/25/1997)
Ranked #6 on Melody Maker's list of 1996's Albums Of The Year.
Ranked #1 in NME's 1996 Critics' Poll.
4 Stars (out of 5) - ...[crams] his encyclopedic knowledge of 20th century musical styles into three- and four-minute nuggets of pure pop....while Beck may appear to be flip in his no-holds-barred approach to music, no other contemporary artist...comes close to his ambitious sense of adventure...
Rolling Stone (06/13/1996)
10 (out of 10) - ...Just as Dylan created an entire universe around his helplessly strange vocal instrument, Beck uses sound and imagery to turn his congested yelp into the voice of a prophet....It's a beautiful thing.
Spin (07/01/1996)
...ODELAY is intoxicating, proving Beck to be one of the era's more inventive songwriters. His observations are as catchy as his...songs....ODELAY is largely upbeat, even punk, but occasionally Beck reveals a sad soul under his clown's mask...
Musician (09/01/1996)
4 Stars (out of 5) - ...A more ambitious individual probably couldn't have made an album as relaxed, funky, stylish and left-of-center as ODELAY....the album...mooches attractively between country, folk and hip-hop...
Q (08/01/1996)
...Beck has enlisted the Dust Brothers, the producers responsible for...the Beastie Boys' seminal PAUL'S BOUTIQUE. The result: a pastiche of twangy country licks, hip-hop beats, surrealistic folk, jive-turkey rap, and samples...that further affirms Beck's rock-chameleon identity... - Rating: A-
Entertainment Weekly (06/21/1996)
...Beck goes Hollywood....Drums pounce with blunted park-jam finesse. Turntable-scratched hooks pan whimsically throughout....a more sophisticated Beck relays his own introspective emotions...
Vibe (09/01/1996)
...a brilliant kaleidoscope....a lazy, cruising groove....a sprawling, confident album....Nothing sounds out of place in Beck's world...
Option (07/01/1996)
Included in Q Magazine's 90 Best Albums Of The 1990s.
Q (12/01/1999)
Included in CMJ's list of Top 25 College Radio Albums of All Time
CMJ (01/06/2003)
Ranked #28 in Q's Best 50 Albums of Q's Lifetime
Q (10/01/2001)
Ranked #27 in Rolling Stone's 50 Coolest Records.
Rolling Stone (04/11/2002)
Ranked #10 in Mojo's 100 Modern Classics -- Even better than ODELAY's crazy-quilt sampling...was the dazzling songwriting.
8 (out of 10) - ...[Beck] plunges into the deep foreboding lake of received musical wisdom....All around is madness. Beck takes the thinking man's solution and makes music to make sense of it ...
4 stars out of 5 -- [I]t was skeetering, excited, a grab bag of ideas.
4 stars out of 5 -- [I]t's a definition of '90s pop....ODELAY is as cannibalistic as a Tarantino movie: a riot of decontextualised pop-cultural detritus.
5 stars out of 5 -- A '90s cultural landmark....Beck's freakfolk freestyle yields some solid gold nuggets among the jive.
4.5 out of 5 stars -- This splatter painting of breakbeats, electric blues, garage-style kitsch, and Dada versifying still sounds fresh...
5 stars out of 5 -- [F]or Odelay, he hooked up with the Dust Brothers to play around with punk, hip-hop, acoustic folk, bossa nova, Latin soul, mainstream R&B and line-dance country -- there's as much Babyface as Bob Dylan on this record...
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