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O'Reilly Street
(CD, 2008)

Primary Artist: James Galway

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$11.96
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Format: CD
Sep 2008
Record Label: Sony Classical
Recording Type: Studio
UPC: 886973216422
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Track Listing
1. Suite for flute & jazz piano trio No.1: Fugace
2. Suite for flute & jazz piano trio No.1: Baroque and Blue
3. Suite for flute & jazz piano trio No.1: Irlandaise
4. Suite for flute & jazz piano trio No.1: Veloce
5. Suite for flute & jazz piano trio No.1: Vagabonde
6. Suite for flute & jazz piano trio No.1: Affectueuse
7. Espiegle, for flute & ensemble
8. General O'Reilly, for flute & ensemble
9. Tica-Tica, for flute & ensemble
10. Soncito, for flute & ensemble
11. Contradanza, for flute & ensemble
12. Orchestral Suite No. 2 in B minor, BWV 1067: Badinerie

Details
Contributing artists:Tiempo Libre
Distributor:Sony Music Distribution (
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
With O'REILLY STREET, James Galway and Tiempo Libre have delivered a genuinely fresh experiment in crossover collaboration. The opening selections are drawn from Claude Bolling's two suites for flute and jazz piano. Movements from each suite are used, and even beyond that Galway treats the music freely, introducing octave transpositions and new transitions. The aim is to carve out a space for the musicians of Tiempo Libre, whose percussionist Leandro González supports Bolling's flute lines with an offbeat layer and then ramps up the polyrhythms together with bandleader and pianist Jorge Gómez in more heavily Cuban interludes. The music succeeds precisely because the musicians don't try to merge structures that are fundamentally different; the weave is loose. The three-way style fusion of classical, jazz, and Afro-Cuban percussion could easily have been gimmicky, but Galway and Tiempo Libre work it out carefully and intelligently in this lively and enjoyable crossover release

Industry Reviews
What's new is an Afro-Cuban beat and feel courtesy of the Cuban timba quartet Tiempo Libre....The seven titles for the Bolling suite are refreshed by the added Afro-Cuban elements as much as they are enhanced by Galway's richly expressive tone and humanly emotional phrasing.



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