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Format: CD
Record Label: Blue Note Records (USA)
Recording Type: Studio
UPC: 094637451625 |
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Track Listing
1. Wish I Could
2. Sinkin' Soon
3. Sun Doesn't Like You, The
4. Until The End
5. Not My Friend
6. Thinking About You
7. Broken
8. My Dear Country
9. Wake Me Up
10. Be My Somebody
11. Little Room
12. Rosie's Lullaby
13. Not Too Late
| Details | | Contributing artists: | Larry Goldings | | Producer: | Lee Alexander | | Distributor: | EMI Music Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
Personnel include: Norah Jones (vocals, piano, Wurlitzer piano); Daru Oda (vocals, whistle); Jesse Harris (acoustic guitar); Kevin Breit (mandolin); Julia Kent, Jeffrey Zeigler (cello); Larry Goldings (Hammond b-3 organ); Lee Alexander (bass instrument); Tony Mason, Andrew Borger (drums).
Recording information: The Coop, New York, NY.
For a young and commercially successful artist, Norah Jones has admirably avoided playing it too safe. After scoring an unlikely sales sensation and multiple Grammy award winner with 2002's torchy COME AWAY WITH ME, Jones shifted gears slightly to accent that album's country and folk elements on the 1970s-styled follow-up, FEELS LIKE HOME. Following that, Jones deliberately played with expectations, first becoming a low-key sideman in a quirky alt-country band called the Little Willies, then playing the lead role in a new movie by Hong Kong arthouse director Wong Kar-Wai.
Jones's third album, NOT TOO LATE, is perhaps not as extreme as any of those other moves away from her initial comfort zone, but it's a departure nonetheless. Recorded by Jones and longtime collaborator Lee Alexander in their home studio and featuring only self-penned material, NOT TOO LATE is far less polished than Jones's previous records, with many songs featuring little more than the singer's familiar croon, a Floyd Cramer-influenced piano, and Alexander's subtle bass. Not quite jazz, country, or pop, NOT TOO LATE fuses all of Jones's influences into an immediately identifiable whole. It's easily her most mature and personal album to date.
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