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Format: CD
Nov 2004
Record Label: Gotee
Recording Type: Studio
UPC: 669447295303 |
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| * Actual items for sale may vary from the above information and image. |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing
1. One I'm Waiting For, The
2. Be My Escape
3. High of 75
4. I So Hate Consequences
5. Only Thing Worse Than Beating a Dead Horse Is Betting on One, The
6. My Girl's Ex-Boyfriend
7. More Than Useless
8. Which to Bury, Us or the Hatchet
9. Let It All Out
10. Who I Am Hates Who I've Been
11. Maintain Consciousness
12. This Week the Trend
13. Life After Death & Taxes
14. When I Go Down
Album Notes
Relient K: Matthew Hoope (vocals, guitar); David Douglas (vocals, drums); Matthew Thiessen (guitar, piano, keyboards, percussion); Brian Pittman (bass guitar).
Additional personnel: David Bunton, Kevin Kiehn, John Warne (vocals); Rob Roy F. (guitar, banjo, percussion); Chris Carmichael (violin, viola); David Henry (cello); Anthony Lucido (bass guitar).
Recording information: Dark Horse Recording, Franklin, Tennessee.
If anyone doubted the influential nature of Christian pop culture in the United States during 2004, they could be directed to the group Relient K, a shining example of crossover success with the mainstream. Though the ensemble is comprised of Born Again Christians and maintains a large following in the church-going world, the band's music offers few clues regarding the members' faith-based lifestyle. A melodic and finely-honed mix of pop-punk and emo, Relient K's sound combines substantial and upbeat--but never preachy--lyrics with all the best features of its entirely secular counterparts, including whip-tight musicianship, spot-on vocal harmonies, and mosh-ready beats. In addition, the band incorporates the strings, tinkling pianos, and gentle vocals of artists like Travis and Rufus Wainwright, adding a welcome dollop of gravity to the proceedings. Relient K's ace-in-the-hole, however, is its treatment of lyrical subject matter; forgoing blind faith in favor of frank acceptance and mature solutions, the group effectively blurs the line between CCM and mainstream rock.
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