Details
Movie Description
After HIGH TENSION and THE HILLS HAVE EYES, French director Alexandre Aja stays firmly grounded in horror territory with MIRRORS. In this reimagining of a Japanese horror film, Kiefer Sutherland plays an ex-cop whose new job as a night watchman brings danger of a new kind. He works at a department store that was nearly destroyed by fire, but the building's mirrors house terrifying spirits., French director Alexandre Aja adds to his growing canon of horror features with this remake of the Korean feature GEOUL SOKEURO (2003). Kiefer Sutherland stars as Ben Carson, a disgraced former New York City cop who attempts to put his checkered past behind him by taking a job as a security guard. Carson is required to take the night shift in a department store in the city. The store closed down after a fire put an end to its business, and Carson soon discovers that malevolent spirits are lurking behind its walls. The spirits connect with the human world through the mirrors in the store, and when they discover Carson's presence they go after his ex-wife, Amy (Paula Patton), and his kids (played by Erica Gluck and Cameron Boyce). Carson attempts to figure out the meaning of a cryptic message carved into one of the mirrors, hoping it will save his family and cut off contact with the malignant lurking presence.
Aja successfully replicates much of the tension and edge-of-your-seat moments that he managed so skillfully in HAUTE TENSION (2003). The film begins with an unnerving set piece in which Carson's predecessor takes a shard of mirror and slashes his own throat, and it's an indication of the gore-filled fun that awaits intrepid viewers. Aja creates a palpable sense of unease by shooting dim-lit set pieces in the department store. Sutherland makes for a convincing lead in a character that closely resembles his turn as Jack Bauer in 24. There are plenty of genuine scares in the film, and the director ultimately spins MIRRORS as a cross between a psychological thriller in the vein of the POLTERGEIST movies and a no-holds-barred splatter flick.
|
|
)
)
)
)
)
)
)
)
)
All rights reserved.
