Details
Track Listing
DISC 1:
1. Self Sabotage
2. My Heart Still Stands With You
3. Last Time Around
4. 200 Proof Lovin'
5. This Town Isn't Keeping You Down
6. Good Things Come to Those Who Wait
7. Blanket of Sorrow
8. Broken Whiskey Glass
9. Absolutely Sweet Marie
10. Ocean of Doubt
11. Pray For Me Mama (I'm a Gypsy Now)
12. Somewhere Within
DISC 2:
1. Help! There's a Fire
2. Harvest Moon
3. If Money Talks
4. Walkin' the Dog - (featuring Blanche Hodges)
5. Both Sides of the Line
6. White Lies
7. Jimmie Rodgers' Last Blue Yodel
8. Medley: Bonus Track: Ezekiel's Wheels / Golden Ball & Chain
9. Going Nowhere - (bonus track)
10. If You've Got the Love (I've Got the Time) - (bonus track)
11. Still Tied - (bonus track)
Album Notes
MIDNIGHT ROADS & STAGES SEEN is an Enhanced CD containing both a full audio program as well as multimedia computer files.
Jason & The Scorchers: Jason Ringenberg (vocals, acoustic guitar, harmonica); Warner E. Hodges (electric guitar, 6 & 12 string acoustic guitars, background vocals); Kenny Ames (bass); Perry Baggs (drums, background vocals, acoustic guitar).
Additional personnel: Blanche Hodges (vocals); Ed Hodges (acoustic guitar); Don Herron (fiddle); Jerry Dale McFadden (piano).
Recorded at the Exit/In, Nashville, Tennessee on November 6-8, 1997. Includes liner notes by Warner Hodges and Jason Ringenberg.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
It takes a special kind of country band to be able to get away with quoting Rudyard Kipling in your first words from the stage, but then, Jason and the Scorchers were never an ordinary country band. The two-disc blowout MIDNIGHT ROADS AND STAGES SEEN proves that over and over. Unlike the majority of alt-country bands, Jason and the Scorchers are as skilled at punky Rolling Stones-style raveups as they are sensitive Gram Parsons ballads, and throughout these 24 songs, Jason Ringenberg and crew veer from one to the other in classic ragged-but-right fashion. Lead guitarist Warner Hodges deserves special credit for his remarkable ability to play the wrong notes in the right places.
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