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Format: CD
Dec 1999
7 Discs
Record Label: Columbia (USA)
Recording Type: Live
UPC: 074646987629 |
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Track Listing
DISC 1: MONDAY NIGHT:
1. Welcome #1
2. Cherokee - (with Band 2)
3. Egyptian Blues, The - (with Band 1)
4. Embraceable You - (with Band 3)
5. Black Codes From the Underground - (with Band 2)
6. Harriet Tubman - (with Band 1)
7. Monk's Mood - (with Band 3)
8. And the Band Played On - (with Band 1)
9. Cat in the Hat Is Back, The - (with Band 1)
10. Set Break - (with Band 1)
DISC 2: TUESDAY NIGHT:
1. Welcome #2
2. Uptown Ruler - (with Band 2)
3. Down Home With Homey - (with Band 1)
4. Reflections - (with Band 3)
5. Jig's Jig - (with Band 3)
6. Sometimes It Goes Like That - (with Band 2)
7. In a Sentimental Mood - (with Band 1)
8. Knozz-Moe-King - (with Band 3)
9. Set Break - (with Band 1)
DISC 3: WEDNESDAY NIGHT:
1. Welcome #3
2. Buggy Ride - (with Band 3)
3. I'll Remember April - (with Band 3)
4. Stardust - (with Band 3)
5. In the Court of King Oliver - (with Band 3)
6. Bona and Paul - (with Band 1)
7. Four in One - (with Band 3)
8. Way Back Blues - (with Band 3)
9. Rubber Bottom - (with Band 3)
10. Midnight in Paris - (with Band 3)
11. Play the Blues and Go - (with Band 3)
12. Set Break - (with Band 3)
DISC 4: THURSDAY NIGHT:
1. Welcome #4
2. Pedro's Getaway - (with Band 3)
3. Evidence - (with Band 3)
4. Embraceable You - (with Band 1)
5. Long Way, A - (with Band 2)
6. Arrival, The - (with Band 2)
7. Mysterioso - (with Band 1)
8. Happy Birthday - (with Band 1)
9. Seductress, The - (with Band 2)
10. Set Break - (with Band 2)
DISC 5: FRIDAY NIGHT:
1. Welcome #5
2. Majesty of the Blues, The - (with Band 1)
3. Flee as a Bird to the Mountain - (with Band 2/Michael White)
4. Happy Feet Blues - (with Band 2)
5. Thelonious - (with Band 3)
6. Stardust - (with Band 3)
7. Intro to Buddy Bolden
8. Buddy Bolden - (with Band 3)
9. Swing Down Swing Town - (with Band 3)
10. Bright Mississippi - (with Band 2)
11. Set Break - (with Band 2)
DISC 6: SATURDAY NIGHT:
1. Welcome #6
2. Citi Movement - (with Band 3)
3. Winter Wonderland - (with Band 2)
4. Brother Veal - (with Band 2)
5. Cherokee - (with Band 1)
6. JUBA and a O'Brown Squaw - (with Band 3)
DISC 7: SUNDAY NIGHT:
1. Welcome #7
2. In the Sweet Embrace of Life - (with Band 2)
3. Local Announcements - (with Band 3)
4. Alter Call - (with Band 3)
5. Final Statement - (with Band 3)
Album Notes
Wynton Marsalis Septet #1: Wynton Marsalis (trumpet); Todd Williams (soprano & tenor saxophones, clarinet); Wessell Anderson (alto saxophone); Wycliffe Gordon (trombone); Marcus Roberts (piano); Reginald Veal (bass); Herlin Riley (drums).
Wynton Marsalis Septet #2: Wynton Marsalis (trumpet); Wessell Anderson (sopranino & alto saxophones); Victor Goines (soprano & tenor saxophones, clarinet); Wycliffe Gordon (trombone); Eric Reed (piano); Reginald Veal (bass); Herlin Riley (drums).
Wynton Marsalis Septet #3: Wynton Marsalis (trumpet); Victor Goines (soprano & tenor saxophones, clarinet); Wessell Anderson (alto saxophone); Wycliffe Gordon (trombone); Eric Reed (piano); Ben Wolfe (bass); Herlin Riley (drums).
Engineers include: Tim Geelan, Mark Wilder, Steve Rathe.
Recorded live at the Village Vanguard, New York, New York. Band #1 recorded on March 9 & 10, 1990 and July 3 & 7, 1991. Band #2 recorded from December 3-5, 1993. Band #3 recorded from December 2-4, 1994. Includes liner notes by Stanley Crouch.
To truly capture the spirit of jazz, one must experience the music live as it happens. To this end, Wynton Marsalis has assembled a stunning collection of performances by three versions of his working septet at the famous Village Vanguard between 1991 and 1994. In this legendary underground temple of jazz, the music is free to become whatever it chooses. Under Marsalis's guidance his art comes alive in this setting, free from the constraints of more formal recording or performing restrictions. This is certainly the best forum for the music to communicate with the audience, and each of Marsalis' groups rises to the occasion and delivers excellent performances that sustain throughout the seven discs of this set. For the listener, this amounts to sitting right down front--minus the steep cover charge and minimum, of course--for a lifetime of truly connected experiences of an art that was captured in its prime. Aside from being present at the original occurrence, there is no other way to get closer to the heart of the music.
Industry Reviews
...Sheer, unadulterated swinging [with] lots of group interaction....harks back to the vibrant energy and spirit of abandon apparent on Marsalis' excellent quintet outings of the '80s...
JazzTimes (04/01/2000)
...illustrates Marsalis' considerable stylistic breadth and acumen on trumpet in a concise and evocative context....a friendly, epic sprawl... - Rating: A
Entertainment Weekly (12/17/1999)
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