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Format: DVD
Jul 2005
Not Rated
Recording Mode: (unknown)
93 min.
Color
UPC: 027616905253 |
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| * Actual items for sale may vary from the above information and image. |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Movie Description
A sinister hotel in Venice forms the backdrop for director Mike Figgis's experimental, stylistically surreal HOTEL. The story centers on director Trent Stoken (Rhys Ifans), who is attempting to film John Webster's play "The Duchess of Malfi" in the style of a Dogme film. He is constantly at loggerheads with his producer, Jonathan Danderfine (David Schwimmer), who eventually takes control of filming when Stoken is shot and falls into a coma. A documentary film crew lead by Charlee Boux (Salma Hayek) simultaneously captures the traumatic events, doting on the personal misfortunes of the cast and crew. As the movie progresses, the sinister, omnipresent hotel staff descend into cannibalism, cooking their guests, and further threatening the production of the film.
HOTEL has many intertwining subplots which Figgis ties together neatly with the "The Duchess of Malfi" theme. He also draws on stylistic effects similar to those used in his previous film, TIMECODE, such as multiscreen techniques and free-form story structures with no real conclusions. Drawing on a variety of sources for inspiration, such as the famous darkly comic cannibalism movie DELICATESSEN, and the films of Jean Luc Goddard; Figgis delivers a compelling film, proving he is a director willing to take risks to deliver his true vision.
Industry Reviews
"...HOTEL often has the free-form, surly swing of Charles Mingus's thumping improvisations, including a persuasive self-regard that dares you to look away..."
New York Times - Elvis Mitchell (07/25/2003)
"...Figgis is a bold experimenter whose films often leave conventional paths to achiever their effect....There is a heady freedom in his riffs here that might appeal to you..."
Chicago Sun-Times - Roger Ebert (09/26/2003)
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