Details
Track Listing
1. Boy in the Bubble, The
2. Graceland
3. I Know What I Know
4. GumBoots
5. Diamonds on the Soles of Her Shoes - (African Languages)
6. You Can Call Me Al
7. Under African Skies
8. Homeless - (African Languages)
9. Crazy Love' Vol. II
10. That Was Your Mother
11. All Around the World or the Myth of Fingerprints
Album Notes
Personnel includes: Paul Simon (vocals, guitar); Linda Ronstadt, The Everly Brothers, Ladysmith Black Mambazo, General M.D. Shirinda, The Gaza Sisters, Joseph Shabalala (vocals); Adrian Belew (guitar, syntesizer guitar); Chikapa "Ray" Phiri, Daniel Xilakazi (guitar); Demola Adepoju (pedal steel); Forere Motloheloa, Jonhjon Mikhalali (accordion); Alex Foster (alto sax); Lenny Pickett (tenor sax); Ronnie Cuber (baritone saxophone); Earl Gardner, Jon Faddis, Randy Brecker, Lew Soloff, Alan Rubin (trumpet); Rob Mounsey (synthesizer); Baghiti Khumalo (bass); Vusi Khumalo (drums); Lulu Masilela (tambourine); Youssou N'Dour, Makhaya Mahlangu Ralph McDonald, Babacar Faye, Assane Thiam (percussion).
Los Lobos: Cesar Rosas (vocals, guitar); David Hildago (vocals, guitar, accordion); Steve Berlin (saxophone); Conrad Lozano (bass); Louie Perez, Steve Gadd (drums).
Engineers include: Roy Halee, Peter Thwaites, Mark Cobrin.
Through the mist of subsequent pale imitations, it is difficult now to recall the enormous impact of this trans-cultural album. The mould-breaking blend of rock and African rhythms is exemplified by "Homeless," an exquisitely melancholic evocation of African beauty and desolation. The stirring harmonies of Ladysmith Black Mambazo illuminate "Homeless" and "Diamonds On The Soles Of Her Shoes." The element of humour in the latter is echoed in "You Can Call Me Al," a hit single. The lyrics are finely crafted and the result is a structure of impeccable proportions. There are angels in the architecture.
Industry Reviews
Ranked #5 in Rolling Stone's list of the 100 Best Albums Of The Eighties.
Rolling Stone (11/01/1989)
Ranked #81 in Rolling Stone's 500 Greatest Albums Of All Time - ...Simon created an album about isolation and redemption that transcended 'world music' to become the whole world's soundtrack...
Rolling Stone (12/11/2003)
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