Details
Movie Description
Set in the 1930s during the Great Depression in the Rocky Mountains, DOGVILLE is Lars von Trier's comment on Americana and his uniquely perverse view of small town life. With period costumes, a narrative that reads like a naughty OUR TOWN, and flashes of THE ADVENTURES OF TOM SAWYER--which is being read by one of the characters--von Trier sets the scene. Using nothing more than a black floor on which white chalk lines and labels mark out houses and landmarks such as the mine and the store, the film is essentially a play. With only minimal props, the emphasis is on the script and the performances.
Dogville is a tiny town consisting of just seven households and 15 adults total. Tom Edison (Paul Bettany) is the resident philosopher, who plans to write a book about morality but has not yet begun. He also serves as the town mayor, holding community meetings in the local church. When a beautiful woman, Grace (Nicole Kidman), arrives in town claiming she is being chased by thugs, Dogville welcomes her and agrees to harbor her--at cost. Grace must prove herself to Dogville's residents, first through physical labor, then through friendship, then through utterly astonishing sacrifices that, in classic von Trier style, go way beyond anything viewers might imagine. A bizarre and disturbing film, DOGVILLE features an all-star cast including Chloe Sevigny, Stellan Skarsgard, Ben Gazzara, James Caan, Harriet Andersson, Lauren Bacall, and narration by John Hurt.
Film Notes
This movie screened in October 2003 as part of the 41st New York Film Festival organized by the Film Society of Lincoln Center and in March 2004 at the SXSW Film Festival in Austin, Texas.
Industry Reviews
"Von Trier's occasional static overhead shots are strangely beautiful..."
Sight and Sound - David Thompson (02/01/2004)
"It really is a masterpiece -- von Trier's first, as it happens."
Premiere - Glenn Kenny (03/01/2004)
"[Lars von Trier] is a ruthless provocateur with a practical joker's sensibility."
New York Times - Stephen Holden (03/26/2004)
"[A] stunning slap-in-the-face film....[T]here is much to love in this nervy fable..."
Entertainment Weekly - Lisa Schwarzbaum (04/02/2004)
"[T]his is strong, stinging filmmaking....[Von Trier] delivers something rare these days: a film of ideas."
Rolling Stone - Peter Travers (04/15/2004)
"[D]arkly funny, intellectually challenging..."
USA Today - Claudia Puig (03/26/2004)
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