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Format: CD
Jan 1983
Record Label: A&M Records (USA)
Recording Type: Studio
UPC: 075021328822 |
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| * Actual items for sale may vary from the above information and image. |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing
1. Only One, The
2. Take Me Back
3. This Time
4. Straight From the Heart
5. Cuts Like a Knife
6. I'm Ready
7. What's It Gonna Be
8. Don't Leave Me Lonely
9. Let Him Know
10. Best Was Yet to Come, The - (live)
Album Notes
Personnel: Bryan Adams (vocals, acoustic & electric guitars, piano); Keith Scott (acoustic & electric guitars, background vocals); Tommy Mandel (piano, Hammond B-3 organ, synthesizers); Jim Vallance (keyboards, percussion); Dave Taylor (bass, background vocals); Mickey Curry (drums); Lou Gramm, Alfa Anderson, Mark Doyle (background vocals).
Recorded at Little Mountain Sound, Vancouver, British Columbia, Canada and the Power Station, New York.
Bryan Adams's second major-label release, CUTS LIKE A KNIFE, is a real step forward from his debut, rocking harder and swaggering more brashly than before. But mainly it is the solidification of the songwriting team of Adams and Jim Vallance that is most evident here. They deliver a round of readymade FM rock anthems, including the mid-tempo "This Time" and the tough yet sensitive title track, which greatly benefited from an MTV video portraying the brooding Adams in a black leather jacket. Adams also had a big hit with the earnest ballad, "Straight From the Heart."
Here Adams shows off his far-reaching appeal. His brand of hard rock was brash and basic enough to win over the average Bic-igniting rock concert-goer, and with his wounded, rough-hewn look, he had what it took to be a rock heartthrob. Adams's voice has the timbre of Rod Stewart and the soulful, defiant delivery of Bob Seger and Bruce Springsteen, but he's always a lot less down in the mouth than those singers. Though he gets a bit wistful on "The Best Was Yet to Come" Adams's youthful but experienced voice presents a younger version of roots rock without the complicated subtext.
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