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Confessions of Doctor Dream and Other Stories
(CD, 1994)
Primary Artist: Kevin Ayers
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LIST PRICE
$18.98
Save 57%
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Format: CD
Jul 1994
Record Label: Beat Goes On
Recording Type: Studio
UPC: 5017261200860 |
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In general items shipped via Media Mail should arrive in 2-9 days (excluding Alaska and Hawaii) from the time of shipping
* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Details
Track Listing
1. Day by Day
2. See You Later
3. Didn't Feel Lonely till I Thought of You
4. Everybody's Sometime and Some People's All the Time Blues
5. It Begins With A Blessing / Once I Awakened / But It Ends With A Curse
6. Ballbearing Blues
7. The Confessions of Doctor Dream: Irreversible Neural Damage / Invitation / The One Chance Dance / Doctor Dream Theme
8. Two Goes Into Four
9. (Untitled)
10. (Untitled)
11. (Untitled)
Album Notes
Personnel: Kevin Ayers (vocals, guitar); Nico (vocals); Mark Warner, Sam Mitchell, Ollie Halsall, Mike Oldfield, Cal Batchelor (guitar); Geoff Richardson (viola); Lol Coxhill (saxophone); Rupert Hine, Henry Crallen, Mike Moran, Steve Nye (keyboards); Mike Ratledge (organ); John G. Perry, John Gustafson, Trevor Jones (bass); Michael Giles (drums); Ray Cooper (percussion); Doris Troy, Rosetta Hightower, Joanne Williams, Sean Milligan (background vocals).
Recorded at Air & Ramport Studios, London, England in February & March 1974.
THE CONFESSIONS OF DR. DREAM is one of Kevin Ayers' best-regarded albums, and it marks his peak in terms of mainstream rock recognition. While it contains some almost glam-rock sounding riffs and accessible melodies, it's a dyed-in-the-wool art-rock classic full of lovable weirdness.
"Everybody's Sometime and Some People's All the Time Blues" is an eccentric piece that alternates between wailing female backup singers on the chorus, and eerie, subdued verses that bring to mind John Cale's creepier work. Ayers' much-touted sense of humor is represented by the short, satirical "Ballbearing Blues," while the lengthy title song is a tour de force, a prog-rock suite with several discrete phases and extended, spacey instrumental sections. The album closes on a simple, almost perversely anticlimactic note, with "Two Goes Into Four," a very brief acoustic ballad that quotes "Hey Jude," a move typical of Ayers' penchant for tweaking an audience's expectations.
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