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Format: CD
Aug 1994
Record Label: Swan Song
Recording Type: Studio
UPC: 075679244420 |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing
1. We're Gonna Groove - (live)
2. Poor Tom - (live)
3. I Can't Quit You Baby - (live)
4. Walter's Walk - (live)
5. Ozone Baby - (live)
6. Darlene - (live)
7. Bonzo's Montreux - (live)
8. Wearing and Tearing - (live)
| Details | | Producer: | Jimmy Page | | Distributor: | WEA (distr) | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | AAD |
Album Notes
Led Zeppelin: Robert Plant (vocals); Jimmy Page (guitar); John Paul Jones (keyboards, bass); John Bonham (drums).
Recorded at Morgan Studios, London, England on June 25, 1969; Olympic Studios, London, England on June 5, 1970; Royal Albert Hall, London, England on January 9, 1970; Rolling Stones Mobile At Stargroves on May 15, 1972; Polar Studios, Stockholm, Sweden on November 11, 16, and 21, 1978; Mountain Studios, Montreux, Switzerland on September 12, 1976.
John Bonham's death in 1980 made the previous year's IN THROUGH THE OUT DOOR the last album Led Zeppelin would record together, but two years after his passing, the faithful were still hungry for more. Hence the release of this previously unreleased material from the Zeppelin archives. Kicking off with an equal mix of swing and crunch on Ben E. King's "We're Gonna Groove," CODA showcases the less grandiose side of Zeppelin, also casting a backward glance toward the band's roots with a reverential treatment of Willie Dixon's "I Can't Quit You Baby" from a 1970 rehearsal.
Much of CODA is comprised of outtakes from the IN THROUGH THE OUT DOOR sessions. "Ozone Baby" bobs and weaves with punky vigor, and "Darlene" grooves along with John Paul Jones's piano as the rudder. The grinding power of the stop-start rhythms on "Wearing and Tearing" ably displays Zeppelin's might, and the instrumental "Bonzo's Montreux" offers a rare glimpse into Bonham's percussive range, revealing his irreplaceable role and clearly demonstrating why the band broke up after his death.
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