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Format: CD
Nov 1992
Record Label: Asylum (USA)
Recording Type: Studio
UPC: 075596144223 |
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$13.95 |
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woodysbook
(8460 ) 97%
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Excellent customer service. May ship from alternate location depending on... |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing
1. Baton Rouge
2. Picasso's Mandolin
3. How'd You Get This Number
4. Boats to Build
5. Too Much
6. Ramblin' Jack & Mahan
7. I Don't Love You Much Do I
8. Jack of All Trades
9. Madonna With Child (Ca. 1969)
10. Must Be My Baby
Album Notes
Personnel: Guy Clark (vocals, guitar); Verlon Thompson (guitar, background vocals); Jerry Douglas (slide guitar); Brian Ahern (guitar); Sam Bush (mandolin); Bill Caswell (jaw harp); Travis Clark (bass); Kenny Malone (drums, percussion); Suzi Ragsdale (background vocals).
Recorded at EMI Studios, Nashville, Tennessee in February, 1992. Includes liner notes by Ben Sandmel.
One of the few albums by master craftsman-country troubadour Guy Clark to make its way to a major label also happens to be one of his most focused and consistent. On BOATS TO BUILD, Clark employs a small, tight, acoustic band that includes the mandolinist Sam Bush, a bluegrass heavy hitter whose clean but soulful runs play a key part in many songs here.
There's more of a moody bluesiness to the album than most of Clark's other recordings, and a sarcastic sense of humor ("Too Much," "How'd You Get This Number," "Must Be My Baby") that stands in contrast to his more staid efforts. There's still song-poetry ("Picasso's Mandolin") and perfectly turned, downhome poignancy ("I Don't Love You Much Do I") aplenty, but the more light-hearted material also packs an angular, witty punch, and it's this that makes BOATS TO BUILD one of Clark's most well-balanced albums.
Industry Reviews
...Clark can capture the jaunty optimism of `Baton Rouge' or the terse suspicion of `How'd You Get This Number' in ways a better singer never could. It may not be the stuff hits are made of, but it sure floats this BOAT...
Musician (03/01/1993)
4 Stars - Excellent - ...It's certainly Clark's finest since his 1978 debut, OLD NUMBER ONE, perfectly capturing his nonchalant swing, lightly parched voice and beguiling ability to make subjects like the creative process into the stuff of barroom singalongs...
Q (07/01/1993)
...When Clark lets a little restlessness ripple through his folksy tales of rugged individualism and ragged love, his still waters still run deep... - Rating: B
Entertainment Weekly (11/20/1992)
...Down-to-earth, heartfelt tales of ramblin', workin', and lovin' from a man who seems to have really been around, the songs on this disc comfort and soothe like a warm fire on a lonely winter night...
Spin (03/01/1993)
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