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Format: CD
 Apr 1985
 Record Label: Columbia (USA)
 Recording Type: Studio
 UPC: 074643952729 |
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$26.86 |
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woodysbook (8485 ) 97%
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Excellent customer service. May ship from alternate location depending on... |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing 1. Breaking Out - (live) 2. Written in Sand 3. Brotherhood 4. Spirit 5. Right Now 6. Who Loves You 7. I'm the One Who Loves You 8. Say It Again 9. Two Points of View 10. How Long 11. Touchdown Raiders
| Details | | Contributing artists: | Mitchell Froom | | Producer: | Val Garay | | Distributor: | Sony Music Distribution ( | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | AAD |
Album Notes Santana: Carlos Santana (vocals, guitar); Alex Ligertwood (vocals, guitar); Greg Walker (vocals); David Sancious (guitar, keyboards); John Woodhead (guitar); Chester C. Thompson (keyboards, bass, drums); Steve Goldstein, David Adelstein (synthesizer, programming); F. Bob Getter (acoustic bass); Bryan Garafalo, Alphonso Johnson (bass); Armando Peraza, Orestes Vilato, Raul Rekow (percussion). Recorded at Record One, Los Angeles, California; Plant Studios, Sausalito, California and Studio 55, Los Angeles, California from March 28 to November 1, 1984. Flashy, mid-80's neon pop is the predominant flavor on the promising BEYOND APPEARANCES. Santana enlists the touch of contemporary producer Val Garay for the band's enduring offering of red-hot guitar and a universalist message. Highlights of the lineup include the debut of longtime keyboardist Chester "CT" Thompson and bass sage Alphonso Johnson of Weather Report fame. "Breaking Out" is an upbeat, get-up-and-go fever, with Alex Ligertwood sharing vocal duties with the newly returning Greg Walker. Here and throughout, Carlos pierces through the pop romp with his searing blues-rock fills. Mitchell Froom lends pen and string synthesizer to the ruminative, Sting-esque "Written In Sand." The brief jaunt "Brotherhood" could hardly be more simply direct with its message, as Carlos steps up to the mic to vehemently declare, "No more politics or denominationsàNo more war, violence or pain." The high-flying guitar riffage of the instrumental "Touchdown Raiders" caps the set on a pleasantly roughcast note.
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