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Format: VHS
Jul 1995
Rated R
Recording Mode: Dolby Surround
Sound: Stereo, Surround, HiFi
Closed Captioned
108 min.
UPC: 765362757039 |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Movie Description
A former CIA operative infiltrates a notorious corporate espionage organization and becomes involved with a beautiful member of the spy ring in an attempt to overthrow the head honcho. A murderous spy thriller.
Synopsis
A former CIA agent, supposedly at a loss for what to do after the Cold War's demise, joins a private industrial firm that specializes in business espionage activities. But what at first seems to be a matter of simple spying turns into something more deadly... and the danger is heightened when the agent begins an affair with his boss.
Film Notes
Actor Michael Murphy plays the uncredited role of "Smitty."
Color by Gastown, prints by Technicolor. Shot in Vancouver, British Columbia, Canada.
Film created by the Tool Shed Productions Inc. for purposes of copyright law in UK.
Additional credits: Beverly K. Sewaers (key hairstylist); Isaac Mizrahi designed the gown worn by Ellen Barkin; Cinema Research Corporation (titles)
Music: "Elevate My Mind" by Nicholas Hallan & Richard Birch, performed by Stereo MC's; "You Look Like Rain" by Mark Sandman, performed by Morphine; "Love Again" by Bryan Daly; "I Don't Remember Sunday Blues" & "When Two Lovers Meet" by Frank Fitzpatrick; "When the Saints Go Marching In." adapted & arranged by Gene Norman; "Five Good Reason" by Noel McKoy, Alan Rapaport & Crispin Taylor, performed by McKoy; and Handel's "Fondi Terere Ombra Mai Fu."
Copyright 1994 Buena Vista Pictures Distribution.
Industry Reviews
"...[A] sleek, film-noir thriller....Stylishly directed....Gliding cinematography and a lush tropically seasoned score..."
New York Times - Stephen Holden (01/20/1995)
"...BAD COMPANY is enjoyably nasty..."
Los Angeles Times - Peter Rainer (01/20/1995)
"...BAD COMPANY is a thriller of extravagant complexity, a thinking man's Grisham film....The plot moves like clockwork, surprising us, then surprising us again..."
Chicago Sun-Times - Roger Ebert (01/20/1995)
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