Details
Track Listing
1. Toxic (Peter Rauhofer Reconstruction Mix (Edit)) - (Peter Rauhofer Reconstruction Mix Edit, remix)
2. Me Against The Music (Justice Extended Mix) - (Justice remix, featuring Madonna)
3. Touch Of My Hand (Bill Hamel Club Mix) - (Bill Hamel remix)
4. Breathe On Me (Jaques LuCont's Thin White Duke Mix) - (Jacques Lu Cont's Thin White Duke Mix, remix)
5. I'm A Slave 4 U (Dave Aude Slave Driver Mix) - (Dave Aude Slave Driver mix, remix)
6. And Then We Kiss (Junkie XL Remix) - (Junkie XL remix)
7. Everytime (Valentin Remix) - (Valentin remix)
8. Early Mornin' (Jason Nevins Remix) - (Jason Nevins remix)
9. Someday (I Will Understand) [Hi Bias Signature Radio Remix] - (Hi-Bias Signature Radio remix)
10. ...Baby One More Time (Davidson Ospina 2005 Mix) - (Davidson Ospina 2005 remix)
11. Don't Let Me Be The Last To Know (Hex Hector Club Mix - Edit) (Hex Hector Club mix, remix)
| Details | | Contributing artists: | Madonna | | Distributor: | BMG (distributor) | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
The reigning princess of mainstream, candy-coated dance pop released this remix album in 2005 to surprisingly little fanfare. As a high-profile darling of the publicity machine, Spears rarely slips one in under the radar, but there are several reasons for this. One reason is that Spears was on maternity leave at the time of the album's release, making it something of an obligatory stopgap until the artist's next new effort; another is that it contains versions of songs already released on her GREATEST HITS album.
Yet B IN THE MIX: THE REMIXES is full of brash, tantalizing, and occasionally brilliant energy. In addition to one new song (the dreamy "And Then We Kiss"), there are some fine reworkings of the pop idol's biggest hits by reputable guest DJs. Peter Rauhofer's pulsing, electro take on "Toxic," for example, is particularly appealing, as is Justice's stomping remix of "Me Against the Music" (which features Madonna), and Jacques Lu Cont's eerie, erotic "Thin White Duke Mix" of "Breathe on Me." These sophisticated electronica interpretations take some of the sugar off the original versions, leaving them leaner, heavier, and more mesmerizing, better suited to the dance club than MTV.
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