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Format: Paperback
ISBN-10: 0307388840
ISBN-13: 9780307388841
Nov 2007
Publisher: Doubleday
480 pages
Reissue
Language: English |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Synopsis
ATONEMENT, which Ian McEwan has called his "Jane Austen novel," is divided into three sections, reaching from the first chapter, set in 1935, to a startling coda in the early 2000s. In between is wartime Europe and a group of nurses tending to wounded soldiers; this section also describes the aftermath of the battle of Dunkirk, in which McEwan's father fought. (McEwan gives his father, who died just before ATONEMENT was published, a walk-on part.) The story revolves around a disastrous misunderstanding by a young teenage girl, which leads to a tragic series of events that culminate in a stunning surprise ending. ATONEMENT was short-listed for the 2001 Booker Prize. A New York Times "Editor's Choice" for 2002.
| Size | | Length: | 480 pages | | Height: | 7.0 in | | Width: | 4.5 in | | Thickness: | 1.2 in | | Weight: | 6.4 oz |
Publisher's Notes
First Line: "The play--for which Briony had designed the posters, programs and tickets, constructed the sales booth out of a folding screen tipped on its side, and lined the collection box in red crêpe paper--was written by her in a two-day tempest of composition, causing her to miss a breakfast and a lunch."
Industry Reviews
"As well as being a superb writer of place, McEwan is also among the finest practitioners of the free indirect style in English, and each phrase in ATONEMENT vibrates with the voice of the character it is so discreetly ventriloquizing....The dust jacket proclaims ATONEMENT his finest achievement, and although publishers are prone to this...view of their authors' talents, in this case they are triumphantly right."
Times Literary Supplement - Robert Macfarlane (09/28/2001)
"Reading McEwan's work, we often find it impossible to slow down, so powerful is the pull of 'What's next?' In ATONEMENT that pull lures us through the first section at breakneck speed, and reasserts its sway in the last. But in the second and third segments of the book a strange and fine thing happens: we are free to linger in the moment, to savor the exquisite, agonizing aptness of McEwan's images and the delicacy of his touch as he records, in fiction, the true horrors of war, and makes new the ordinary realizations those horrors force upon us...."
Atlantic Monthly - Claire Messud (03/01/2002)
"[T]here is nothing self-conscious or mannered about Mr. McEwan's writing. Indeed, ATONEMENT emerges as the author's most deeply felt novel yet--a novel that takes the glittering narrative pyrotechnics perfected in his last book, AMSTERDAM, and employs them in the service of a larger, tragic vision. It is a novel that attests not only to Mr. McEwan's mastery of craft and virtuosic control of narrative suspense, but also to his knowledge of the human heart and its rage for symmetry and order."
New York Times - Michiko Kakutani (03/07/2002)
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