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Format: CD
Jul 2000
Record Label: Legacy Recordings
Recording Type: Live
UPC: 074646601723 |
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| * Actual items for sale may vary from the above information and image. |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing
1. Big River - (previously unreleased, bonus track)
2. I Still Miss Someone - (previously unreleased, bonus track)
3. Wreck of the Old 97
4. I Walk the Line
5. Darlin' Companion
6. I Don't Know Where I'm Bound - (previously unreleased, bonus track)
7. Starkville City Jail
8. San Quentin
9. San Quentin
10. Wanted Man
11. Boy Named Sue, A
12. Peace in the Valley (There'll Be)
13. Folsom Prison Blues - (previously unreleased, bonus track)
14. Ring of Fire - (previously unreleased, bonus track)
15. He Turned the Water Into Wine - (previously unreleased, bonus track)
16. Daddy Sang Bass - (previously unreleased, bonus track)
17. Old Account Was Settled Long Ago, The - (previously unreleased, bonus track)
18. Closing Medley: Folsom Prison Blues / I Walk The Line / Ring Of Fire / The Rebel-Johnny Yuma - (previously unreleased, bonus track)
Album Notes
Personnel: Johnny Cash (vocals, guitar); June Carter, The Carter Family, The Statler Brothers (vocals); Luther Perkins, Bob Wootton, Carl Perkins (electric guitar); Marshall Grant (bass guitar); W. S. "Fluke" Holland (drums).
Recording information: 1969.
One of country music's unequivocal stars, Johnny Cash retained respect for the travails of the audience elevating him to that position. Recorded live at one of America's most notorious prisons, this album displays an empathy bereft of condescension and captures a performer combining charisma with natural ease. The material is balanced between established favorites and new material including "Wanted Man" (an unrecorded Bob Dylan song), and the lighthearted hit "A Boy Named Sue." It was not the first time Cash had recorded in a penal institution, but this appearance, at a time when American values were vociferously questioned, suggested the artist's rebelliousness had not dimmed.
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