 |
 |
Format: VHS
 Jan 1998
 Rated PG-13
 Recording Mode: Dolby Surround
 Sound: Stereo, HiFi
 Closed Captioned
 96 min.
 Color
 UPC: 027616684332 |
 |
 |
| * Actual items for sale may vary from the above information and image. |
 |
|
 |
|
* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
|
|
* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
|
 |
Price
|
 |
Seller (Feedback)
|
 |
Comments
|
 |
Shipping
|
 |
Ships From
|
 |
 |
 |
$0.75 |
 |
nicktrahd (5424 ) 98%
|
 |
cassette only-no box-cassette in excellent condition-ready to ship-del |
|
Media Mail |
 |
IL |
 |
More info... |
 |
|
* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
|
 |
 |
 |
Movie Description A Pulitzer Prize-winning black playwright is mistaken for a thief when he moves into his new home on an exclusive new England resort island. Enter a career criminal and incorrigible wiseguy who's got one chance to get out of jail: just save the corrupt police chief's job by breaking into the playwright's house, taking him hostage and then giving up.
Synopsis This racially-charged farce stars Nicolas Cage and Samuel L. Jackson. When Pulitzer Prize-winning playwright Andrew - who happens to be black - is seen entering a resort mansion by a bigoted police chief, the chief mistakenly assumes he is breaking in. Fearing Andrew has hostages, the chief calls out the cavalry.
But the playwright actually owns the home. By the time the chief realizes his mistake, it's too late. A cast of characters, including a fire-and-brimstone breathing black preacher, a nosy couple, and a namby-pamby hostage negotiator, have already set up camp on the playwright's lawn.
The chief compounds matters by ordering a jailbird car thief, Amos, to pretend to be the "real" menace in return for freedom. But Amos gets more than he bargained for when he's forced to match wits with the sophisticated Andrew for control of the mansion.
Industry Reviews "...It contains a lot of funny moments and some good performances..." Chicago Sun-Times - Roger Ebert (03/05/1993)
|
 |
|