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Format: CD
Nov 1998
Record Label: Columbia (USA)
Recording Type: Studio
UPC: 074646966129 |
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Condition: Good
Seller's Comments: Americana - Enhanced Audio CD - Includes CD & Case Only - Good Condition!
Full Description:
Track Listing -
1. Welcome
2. Have You Ever
3. Staring at the Sun
4. Pretty Fly (For a White Guy)
5. Kids Aren't Alright, The
6. Feelings
7. She's Got Issues
8. Walla Walla
9. End of the Line, The
10. No Brakes
11. Why Don't You Get a Job?
12. Americana
13. Pay the Man --
Details -
Contributing artists: Calvert DeForest, Davey Havoc, Jack Grisham, Jim Lindberg, John Mayer
Producer: Don Jerden
Distributor: Sony Music Distribution (
Recording Type: Studio
Recording Mode: Stereo
SPAR Code: n/a --
Album Notes -
This is an Enhanced audio CD, which contains regular audio tracks and multimedia computer files.
Offspring: Dexter Holland (vocals, guitar); Noodles (guitar, background vocals); Greg K (bass); Ron Welty (drums).
Additional personnel: John Mayer, Higgins "X-13", Heidi Villagran, Nika Futterman Frost (vocals); Calvert "Larry Bud Melman" DeForest (spoken vocals); Derrick Davis (flute); Gabe McNair, Phil Jordan (horns); Jack Grisham, Davey Havok, Jim Lindberg (background vocals).
Mariachi Campestre: Carlos Gomez (guitar); Raul Garibay (guitaron); Miguel Gonzales (violin); Pedro Pina (trumpet); Alvaro Macias (bihuela).
Recorded at Eldorado Recording Studio, Burbank, California.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
AMERICANA continues the contradiction fostered by the Offspring with IXNAY ON THE HOMBRE; that of an anarchistic punk band signing up with and using the resources of a mighty recording industry monolith. Diatribes aside, these southern California punks have continued concocting breakneck-paced songs that combine intelligent lyrics with rapid-fire rhythms and shredding guitar.
Going beyond their punk credentials means the Offspring mix in a few curves that keep the listener guessing. "Why Don't You Get A Job" uses horns and a steel drum to underline misgivings about awarding alimony for either sex. "Pay the Man" uses Middle Eastern chord changes to achieve an Arabic feel that eventually gives way to a punkier arrangement. Even on"Feelings," the schmaltzy lounge lizard anthem, Dexter Holland's style of spitting out the words gives the slight number new life. The cleverly wrought "Pretty Fly (For A White Guy)" looks at white kids emulating an inner-city life style through the prism of daytime talk shows. Despite this experimentation, the Offspring cling to their punk roots with a steadfast determination that defines songs dealing with the pitfalls of growing up in the '90s ("The Kids Aren't Alright") and the emotional baggage brought into relationships ("She's Got Issues"). |
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