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Format: CD
Apr 2003
Record Label: Warner Bros. Records (Record Label)
Recording Type: Studio
UPC: 093624844020 |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing
1. American Life
2. Hollywood
3. I'm So Stupid
4. Love Profusion
5. Nobody Knows Me
6. Nothing Fails
7. Intervention
8. X-Static Process
9. Mother & Father
10. Die Another Day - (from "James Bond's Die Another Day")
11. Easy Ride
| Details | | Producer: | Madonna, Mirwais Ahmadzai | | Distributor: | WEA (distr) | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel: Madonna (vocals); Mirawais Ahmadzai (guitar, programming, background vocals); Stuart Price (piano); Nicky Brown Choir, London Community Gospel Choir.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel: Madonna (vocals); Mirawais Ahmadzai (guitar, programming, background vocals); Stuart Price (piano); Nicky Brown Choir, London Community Gospel Choir.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
AMERICAN LIFE Limited Edition includes a 2 sided 23" x 35" poster and postage size Madonna stamp sheet.
Personnel: Madonna (vocals); Mirawais Ahmadzai (guitar, programming, background vocals); Stuart Price (piano); Nicky Brown Choir, London Community Gospel Choir.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Re-teaming with French electro-pop producer Mirwais, (who also lent his talents to 2000's MUSIC), Madonna uses her perspective as a globally famous ex-pat living in England to comment on the USA's spiritual state throughout AMERICAN LIFE. Prominently featuring plenty of acoustic guitar among the synth-soaked swooshes and Euro-disco beats, the Material Girl ends up going for a more stripped-down sound. This technique works particularly well on the opening title cut, which finds Ms. Ciccone rapping about bodyguards, soy lattes, gardeners and other upper-class perks that don't seem to make the spiritual side of life any better.
"Hollywood" does an even better job addressing the downside of fame while pumping in a few more hooks. Faith in family fuels the lush "Nothing Fails," with its unexpected gospel-chorus outro, while amore inspires the light and tight "Love Profusion," and insecurity plagues the solo-acoustic "X-Static Process." Of course all these songs of self-discovery and spirituality didn't stop Madonna from including "Die Another Day," the Euro-techno title song from the James Bond film of the same name.
Re-teaming with French electro-pop producer Mirwais, (who also lent his talents to 2000's MUSIC), Madonna uses her perspective as a globally famous ex-pat living in England to comment on the USA's spiritual state throughout AMERICAN LIFE. Prominently featuring plenty of acoustic guitar among the synth-soaked swooshes and Euro-disco beats, the Material Girl ends up going for a more stripped-down sound. This technique works particularly well on the opening title cut, which finds Ms. Ciccone rapping about bodyguards, soy lattes, gardeners and other upper-class perks that don't seem to make the spiritual side of life any better.
"Hollywood" does an even better job addressing the downside of fame while pumping in a few more hooks. Faith in family fuels the lush "Nothing Fails," with its unexpected gospel-chorus outro, while amore inspires the light and tight "Love Profusion," and insecurity plagues the solo-acoustic "X-Static Process." Of course all these songs of self-discovery and spirituality didn't stop Madonna from including "Die Another Day," the Euro-techno title song from the James Bond film of the same name.
Re-teaming with French electro-pop producer Mirwais, (who also lent his talents to 2000's MUSIC), Madonna uses her perspective as a globally famous ex-pat living in England to comment on the USA's spiritual state throughout AMERICAN LIFE. Prominently featuring plenty of acoustic guitar among the synth-soaked swooshes and Euro-disco beats, the Material Girl ends up going for a more stripped-down sound. This technique works particularly well on the opening title cut, which finds Ms. Ciccone rapping about bodyguards, soy lattes, gardeners and other upper-class perks that don't seem to make the spiritual side of life any better.
"Hollywood" does an even better job addressing the downside of fame while pumping in a few more hooks. Faith in ...
Industry Reviews
4 stars out of 5 - ...This may be the truest Madonna LP since 1992's EROTICA. Her vocals are more relaxed when backed by Mirwais...
Uncut (06/01/2003)
4 out of 5 - ...The formula she developed on her previous album, MUSIC - acoustic-guitar ditties dressed up with club-friendly electronica - is still as distinctive as it is danceable...
Vibe (06/01/2003)
3 stars out of 5 - ...AMERICAN LIFE is revealing...
Mojo (05/01/2003)
...Madonna has developed a mixture of acoustic and techno, of full-throated crooning and tight-larynxed hectoring....Blunt, questing, decisive music... - Rating: B-
Entertainment Weekly (04/25/2003)
...[The album] pushes all the right issue buttons... - Grade: B-
Spin (06/01/2003)
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