Details
Track Listing
1. I've Got You Under My Skin - (with Julie Porter)
2. You Do Something to Me - (with Julie Porter)
3. Get Out of Town - (with Julie Porter)
4. All Through the Night - (with Julie Porter)
5. So in Love - (with Julie Porter)
6. At Long Last Love - (with Julie Porter)
7. Easy to Love - (with Julie Porter)
8. My Heart Belongs to Daddy - (with Julie Porter)
9. Ev'ry Time We Say Goodbye - (with Julie Porter)
10. In the Still of the Night - (with Julie Porter)
11. You'd Be Nice to Come Home To - (Bonus Track, with Julie Porter)
Album Notes
This 1965 release from U.S. pop singer Julie London includes "I've Got You Under My Skin" and "You Do Something To Me."
English version features LP-style CD cover.
Personnel: Joe Pass, Al Viola (guitar); Bud Shank (flute, alto saxophone); Bob Flanagan (trombone); Jimmy Rowles, Russ Freeman (piano); Emil Richards (vibraphone); Don Baley, Monty Budwig (bass guitar); Colin Bailey, Earl Palmer (drums); Bud Shank Quintet.
Recording information: Capitol Studios, Hollywood, California (03/04/1960); Pacific Jazz Studios, Hollywood, CA (07/12/1965 - 07/16/1965).
During the 1950s, Julie London's albums were standard issue for hipsters of the day. London's sultry, smoky, jazz-influenced voice epitomized understated cool. ALL THROUGH THE NIGHT consists of an all-Cole Porter program, and she wrings these late-night tales of love's intrigues for all they're worth. London's accompanists include such ace West Coast jazz players as pianist Russ Freeman (who played with Chet Baker and Shelly Manne), guitar icon Joe Pass (who played with Ella Fitzgerald), and flutist/alto saxophonist Bud Shank. NIGHT is a classic "mood" album from the record collections of bygone bachelor pads.
Reissued several times since its original release in the mid-1960s, this collection of Cole Porter standards, interpreted with a rangy, cocktail-swilling irreverence by the sublime Julie London, is a delightful addition to the songbook canon. Bud Shank's quintet swings, London hits all the right emotional notes, and Richard Bock's production is sympathetic and sparkling.
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