Details
Track Listing
1. All the Things (Your Man Won't Do)
2. Love Scene, The
3. Don't Wanna Be a Player
4. Good Girls
5. How Soon
6. Sanctified Girl (Can't Fight This Feeling)
7. All That I Am
8. No One Else Comes Close
9. Come Around
10. U Shoulda Told Me (U Had a Man)
11. Love Don't Make No Sense
12. No One Comes Close - (unplugged)
Album Notes
Personnel: Joe Thomas (vocals, acoustic guitar, keyboards, programming); Joshua Thompson, George Wadenias (acoustic guitar); Randy Bowland, Japhie Tejeda, Geary Moore (guitar); Onaje Allan Gumbs (Fender Rhodes piano); Edwin Nicholas, Larry "Rock" Campbell (keyboards, programming); Timmy Allen (drum programming); Monique Anderson, Gerald Levert, Jolyon Skinner, Sean Daniels, Larry McMurray (background vocals).
Recorded at The Crib, Maplewood, New Jersey; The Crib, Clinton, New Jersey; On The Way Studios, Cleveland, Ohio; Battery Studios, and The Soundtrack Group, New York, New York.
Producers include: Joe Thomas, Joshua Thompson, Edwin Nichols, Rodney Jerkins, Gerald Levert.
Engineers include: Earl Cohen, Eric Gast, Dexter Simmons.
On ALL THAT I AM, Joe offers 12 tracks of slow, smooth R&B stylings, with diverse arrangements and creative performance, all centered around the breathy, earnest voice of Joe Thomas. In addition to his multi-tracked vocal arrangements, Joe also makes substantial keyboard, programming, and production contributions.
Lyrically, the album ranges from the swaggering bravado of "The Love Scene" to the emotional vulnerability of "No One Else Comes Close." Not wanting to fall back on R&B cliches, Joe opts for a fresher metaphor--"I hear he' s got you in lockdown, but I got the master key" ["All The Things (Your Man Won't Do)"]. ALL THAT I AM features some impressive production tricks including the reverse loop intro to "U Shoulda Told Me (U had A Man)," the flanged vocal effects of "Don't Wanna Be A Player" and exotic instrumental samples throughout.
Industry Reviews
...ALL THAT I AM is a fantasy ride that wills something to the imagination....It's a well-rounded artist-driven album that doesn't insult R&B aficionados with stale radio ambience...
The Source (09/01/1997)
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