Details
Track Listing
1. I Don't Want to Grow Up
2. Makin Monsters For My Friends
3. It's Not For Me to Know
4. Crusher, The
5. Life's a Gas
6. Take the Pain Away
7. I Love You
8. Cretin Family
9. Have a Nice Day
10. Scatter Gun
11. Got Alot to Say
12. She Talks to Rainbows
13. Born to Die in Berlin
| Details | | Producer: | Daniel Rey | | Distributor: | Universal Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
The Ramones: Joey Ramone (vocals); Johnny Ramone (guitar); C.J. Ramone (vocals, bass); Marky Ramone (drums).
Recorded at Baby Monster Studio, New York.
Rumored to be The Ramones' final album, ADIOS AMIGOS isn't so much a summing up as it is a quick trip down memory lane, a farewell message or two, and a whole bunch of parting gifts from the kings of American punk rock. You didn't expect them to get all teary-eyed, but then you probably never figured them for the smart guys they are either. The Ramones have always had a way of sounding brainless no matter how clever they were, and now they manage to slip some sentimentality into the act as well.
ADIOS AMIGOS includes an ode to a pro wrestling loser ("The Crusher") and a brilliantly dumb anthem for burn-outs ("Got A Lot To Say"), along with such classic Ramones-isms as "I don't wanna open a can worms and I don't want any Spaghetti-O's," which newest Ramone C.J. utters during "Makin' Monsters For My Friends." Dee Dee Ramone, whom C.J. replaced, emerged from the shadows to co-write six of these songs. Johnny Ramone's guitar hammers along joyously--his punk and hardcore riffs constantly running up against pop changes in classic Ramones style. But here The Ramones save their biggest pop moments for pointedly life-affirming messages: "Life's A Gas," for example, consists of Joey la-la-la-ing and crying out the title over and over in his thick Queens accent, while Johnny power-chords his way through innocent 1950s pop changes.
But, hey, these are still The Ramones, and elsewhere on ADIOS AMIGOS they warn you not to believe anyone who tells you to "Have A Nice Day." And Dee Dee's seemingly final message about a lonely drug death, "Born To Die In Berlin," turns out to be a false serious ending. After fifteen seconds of silence comes an unlisted punk-pop ode to Spiderman that doesn't seem to say "good bye" so much as it seems to say "gabba gabba hey."
Industry Reviews
3 Stars - Good - ...The album contains some of their angriest, most powerful material in years, reflecting the alienation of wizened outsiders rather than the snotty adolescent rebellion that had become a Ramones cliche....the best Ramones album in years...
3 Stars - Good - ...a lively reminder that they are not yet ready for the sheltered housing complex...
Q (07/01/1995)
...ADIOS AMIGOS is the return of gimpoid lyrics over cretin punk tunes with only the smallest hangover from the [Ramones'] metal years...
NME (06/24/1995)
...confirm[s] their blitzkrieg bop not only hasn't aged but is timelier than ever. Let's hope this isn't the swan song hinted at in the album title. - Rating: A-
Entertainment Weekly (07/14/1995)
...the first good, solid Ramones album in years...
Alternative Press (10/01/1995)
3 stars out of 5 - [A] good way of saying goodbye.
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