 |
|
Format: DVD
Dec 2007
Rated R
Recording Mode: (unknown)
251 min.
Color
Extra Info: Side by Side Packaging
UPC: 097361323343 |
|
|
| * Actual items for sale may vary from the above information and image. |
|
|
|
|
* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
|
|
 |
|
Movie Description
Prolific director Michael Winterbottom (24-HOUR PARTY PEOPLE) takes an unusual turn by helming A MIGHTY HEART--a studio picture starring none other than Angelina Jolie. Jolie stars as Mariane Pearl, the widow of WALL STREET JOURNAL reporter Daniel Pearl. Daniel was kidnapped and executed in Pakistan in 2002, and Winterbottom's film centers on the frantic activities leading up to his death. Fellow journalist Mariane revs into action as soon as the disappearance of her husband is announced, calling on the FBI and experts in terrorism to help in the desperate search. With the media circling around the story like hawks, Mariane endures a very public display of grief, and her plight is perfectly captured by the unlikely alliance of Winterbottom and Jolie. The film was shot mostly in Karachi and uses locations that Daniel was known to have visited, adding a heady dose of authenticity to the proceedings. Winterbottom uses shaky, hand-held cameras, which add to the feeling of chaos as multiple organizations descend on Pakistan in the quest to find Daniel; fortunately the director uses some much-needed on-screen captions to make sure viewers are up to speed on who everyone is. A MIGHTY HEART is tough, emotional viewing that will be challenging (yet rewarding) for many audiences, even those who are already familiar with this heartbreaking story.
BABEL is the crowning achievement in the trilogy from the unstoppable creative pairing of screenwriter Guillermo Arriaga and director Alejandro Gonzalez Innaritu, which also includes AMORES PERROS (2000) and 21 GRAMS (2003). Building upon its predecessors' method of weaving together disparate storylines, BABEL reaches new heights of ambition with a tale that, in the absence of traditional narrative and protagonist, relies on numerous incredible performances to evoke an affecting relevance by framing contemporary issues in very human struggles and mistakes. Richard and Susan (Brad Pitt and Cate Blanchett) are a wealthy couple from San Diego who are vacationing in Morocco in order to heal after the death of their young child; their other two children are at home with their Mexican maid, Amelia (Adriana Barraza). In a complex shift of ownership to which the audience is privy, a rifle finds its way into the hands of a local herdsman's young sons (Said Tarchani and Boubker Ait El Caid), who recklessly take a shot at a tour bus and catch Susan in the shoulder, causing her to nearly lose her life. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with the harsh immigration policies of the Bush administration. Meanwhile, in Tokyo, a widower (Koji Yakusho) tied to the rifle in question attempts to deal with his memories and his raucous, promiscuous, deaf daughter (Rinko Kikuchi). Nearly every performance of the film is devastating, offering an intimate, emotional experience that would approach melodrama if it weren't rendered so realistically. The misunderstandings born of cultural, language, and class barriers are on par with those that occur between family members, depicting a world that, while connected in the least expected of ways, is also faced with a deep-seated crisis that threatens to alienate humanity from itself.
|
|
|
Sell your stuff
)
)
)
)
All rights reserved.