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Format: CD
 Feb 2006
 Record Label: Luaka Bop
 Recording Type: Studio
 UPC: 680899002523 |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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$3.75 |
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jennifermats (186 ) 100%
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fabulous cd! I'll ship it out to you right away! :) |
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Media Mail |
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More info... |
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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* ML=ships from multiple locations, AE/AP/AA=ships from U.S. Military location.
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Track Listing 1. Belgo Zairoise 2. Nostalgie Amoureuse 3. African Sunset 4. Poetry Man - (with Michael Franti) 5. Telephone 6. New World - (with U Roy) 7. Baba Hooker - (with Michael Franti) 8. Illioi 9. Jogging a Tombouctou 10. Timidity 11. Eie Buma 12. Warmth 13. Damn Your Eyes
| Details | | Contributing artists: | Michael Franti, U Roy | | Distributor: | Alternative Dis. Alliance | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes Zap Mama: Marie Daulne (vocals, didjeridoo, guimbri, kashishi, percussion). Additional personnel: Sabine Kabongo, Watanga Rema, Anita Daulne, Michael Franti, Angelique Willkie, U Roy, Quental Kesia, Jean-Louis Daulne, Mama Camberlin, Fatimata Wallett, Bernadette Aningi (vocals); Bachir (rap vocals); Dizzy Mandjeku, David James, Amanou, Tom Van Stiphout (guitar); Anthony Groger (cello); Charlie Hunter (harmonica); Hans Francken (piano); Yannic Fonderie (Hammond, emu); Carl Young (keyboards, bass); Luk Michiels (acoustic bass, bass); Vincent Pierens (acoustic bass); Michel Hatzidjordju (bass, guimbri); Stephane Galland (drums, percussion); Bilou Doneux, Bruno Meeus (drums); Chander Sardjoe (tablas); Sidiki (kashishi); Otti Van der Werf (guimbri). Producers: Marie Daulne, Yannic Fonderie, Michael Franti.
Industry Reviews ...an enthralling and gently progressive display of musical invention that cuts across the African/Western pop lines of demarcation....The jungle hearth meets the urban vortex in the most intriguing way. Jazz Times (06/01/1997)
3 Stars (out of 5) - ...a whole variety of sounds- complex African rhythms and styles...a strong reggae input...plus a couple of hip African- American electro-funk numbers... Q Magazine (05/01/1997)
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